Bertrand's warm and expansive probing of Bloch's late neo-baroque solo suites complements the earlier more heart-on-sleeve style of the Jewish works, stylishly accompanied by Amoyel.

Underrated, like most of Bloch's music, they are played here with aristocratic dignity by Emmanuelle Bertrand.

These graceful performances by Emmanuelle Bertrand are interlaced with solos for both cello (From Jewish Life) and piano (Nirvana), all overdue this elegant airing.

a truly committed performance from Emmanuelle Bertrand and excellent recording quality... Both Bertrand and pianist Pascal Amoyel have an obvious affinity with the musical idiom, delivering performances of great sensitivity, particularly in Prayer, where Bertrand conjures up bow strokes that are by turns mysteriously breathy or fiercely ardent.

Emmanuelle Bertrand is a highly persuasive guide to this rewarding repertoire, and Pascal Amoyel is a sympathetic partner in the works with piano.