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Keeril Makan: Afterglow

International Contemporary Ensemble (ICE), Adam Sliwinski & Erik Carlson

Keeril Makan: Afterglow
As titles such as “Afterglow” and “After Forgetting” might suggest, there’s an emphasis on entropy in Keeril Makan’s music...Makan seems as fascinated with the minutiae of decay and resonance...

Keeril Makan: Afterglow

International Contemporary Ensemble (ICE), Adam Sliwinski & Erik Carlson

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As titles such as “Afterglow” and “After Forgetting” might suggest, there’s an emphasis on entropy in Keeril Makan’s music...Makan seems as fascinated with the minutiae of decay and resonance...

About

Keeril Makan composes without assumed expectations of an instrument’s sound or a performer’s capabilities, but by exploring the possible, by discovering the beautiful in the unexpected and following where that beauty leads. Makan’s relationship to the world of sounds has its connection to the work of Edgard Varèse and John Cage and by a broad American experimental tradition, with touchstones in the work of some of the European modernists.

'Afterglow' is the outcome of hours spent listening to the harmonic resonance of specific notes and chords, and to the durations of the resonances. The simplicity of the materials beguiles the listener into hearing beyond the immediate gesture to become aware of its “afterglow,” the sympathetic vibrations of the unplayed strings within the piano.

Contents and tracklist

Awards and reviews

22nd February 2014

As titles such as “Afterglow” and “After Forgetting” might suggest, there’s an emphasis on entropy in Keeril Makan’s music...Makan seems as fascinated with the minutiae of decay and resonance as Morton Feldman.
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