The Soviet Experience Volume IV
Pacifica Quartet
Shostakovich's last three Quartet can seem bleak and uncomprising, yet the Pacifica Quartet manages to extract a much wider range of colours from this music than do many other interpreters....
The Soviet Experience Volume IV
Pacifica Quartet
Purchase product
Shostakovich's last three Quartet can seem bleak and uncomprising, yet the Pacifica Quartet manages to extract a much wider range of colours from this music than do many other interpreters....
About
This is the final installment in the Pacifica Quartet’s highly anticipated, and already highly acclaimed four-volume CD survey of the complete Shostakovich string quartets, the first Shostakovich quartet cycle to include works by other important composers of the Soviet era, adding variety and perspective to the listening experience. Volume IV features Shostakovich’s String Quartets Nos. 13–15 from the 1970s. These three quartets are paired with Schnittke’s allusive homage, String Quartet No. 3, written in 1983. It’s a work full of quotation including a 12-tone row transposed from a theme by Shostakovich, whose influence was felt throughout Schnittke’s career.
The Pacifica Quartet’s previous installments have received an extraordinary reception from critics. London’s The Telegraph writes, “…The playing is nothing short of phenomenal, bringing new dimensions of interpretative depth and a subtle fusion of intensity and clarity.... . When the series is complete, it looks set to be the one to own.”
In 2011–12, the Pacifica played the Shostakovich quartet cycle in London’s Wigmore Hall to great acclaim. Founded in 1994, the Pacifica won the 1998 Naumberg Chamber Music Award and Chamber Music America’s 2002 Cleveland Quartet Award. In 2006, the Pacifica received an Avery Fisher Career Grant and also was featured on the cover of Gramophone magazine.
Contents and tracklist
Awards and reviews
February 2014
Shostakovich's last three Quartet can seem bleak and uncomprising, yet the Pacifica Quartet manages to extract a much wider range of colours from this music than do many other interpreters. Their performances are captured in gloriously vivid sound...a fitting conclusion to their exemplary Shostakovich cycle.
4th January 2014
Composer’s valedictory language is translated with lucidity and intensity throughout enthralling series
March 2014
you never lose the sense of four musicians playing together for pleasure.
May 2014
Throughout this reading [of No. 13], Masumi Per Rostad's viola playing is of an eloquence and insight around which the work as a whole can evolve...If Shostakovich's cycle has indeed become the dominant one of the twentieth century, then its attributes are manifestly in evidence here.
5th January 2014
All three works are played with searing intensity