Special offer. Portus Felicitatis
Motets & Arias by Johann Georg Reutter
Monika Mauch (soprano) & Stanislava Jirků (alto)
La Gioia Armonica
Awards:
-
BBC Music Magazine, April 2014, Choral & Song Choice
[Reutter] was highly inventive...He proves a fine melodist, too, writing sympathetically for solo voices. The singers here...are beautifully matched, fresh-toned and virtually vibrato-less...what...
Special offer. Portus Felicitatis
Motets & Arias by Johann Georg Reutter
Monika Mauch (soprano) & Stanislava Jirků (alto)
La Gioia Armonica
Purchase product
Awards:
-
BBC Music Magazine, April 2014, Choral & Song Choice
[Reutter] was highly inventive...He proves a fine melodist, too, writing sympathetically for solo voices. The singers here...are beautifully matched, fresh-toned and virtually vibrato-less...what...
About
Today almost entirely forgotten, Reutter has been the most successful composer of opera in Vienna during the 1730s, and the single and most influential composer of church music in Vienna for three decades, enjoying the estimation of both Charles VI and Maria Theresia. The son of a court organist and music director at St. Stephen’s Cathedral, Reutter studied with Antonio Caldara and, having returned from a period of study in Italy, was nominated imperial court composer in Vienna in 1730. He became first director of music at St. Stephen’s im 1738, second Hofkapellmeister in 1747 and first Hofkapellmeister in 1769. His influential position in the musical life of Vienna led to conflicts with Durazzo and Gluck which escalated in 1761. Reutter is one of the few composers who composed for the Pantaleon (salterio). As Caldara had done before him, Reutter used the pantaleon as an obbligato instrument in several arias of his operas and oratorios. Our programme features four arias for obligato salterio. With this CD La Gioia Armonica will continue the endeavours of its first CD for RAMÉE, dedicated to original compositions for the pantaleon by Antonio Caldara (RAM0405).
Contents and tracklist
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer, Stanislava Jirku
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- La Gioia Armonica, Jürgen Banholzer
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- La Gioia Armonica, Jürgen Banholzer
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- La Gioia Armonica, Jürgen Banholzer, Stanislava Jirku
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer, Stanislava Jirku
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- La Gioia Armonica, Jürgen Banholzer, Stanislava Jirku
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer, Stanislava Jirku
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
- Monika Mauch, La Gioia Armonica, Jürgen Banholzer
- Recorded: May 2012
- Recording Venue: Sendesaal, Bremen, Germany
Awards and reviews
-
BBC Music MagazineApril 2014Choral & Song Choice
April 2014
[Reutter] was highly inventive...He proves a fine melodist, too, writing sympathetically for solo voices. The singers here...are beautifully matched, fresh-toned and virtually vibrato-less...what particularly sets Reutter apart from his contemporaries are his unique tone-colours...Breathtakingly lovely.