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Britten To America

Huw Watkins (piano), Samuel West (narrator), Andrew Kennedy (tenor), Jean Rigby (mezzo soprano) & Mary Carewe (mezzo soprano)

Ex Cathedra & Hallé, Sir Mark Elder & Jeffrey Skidmore

Britten To America
Jean Rigby admirably handles the dialogue and the songs of the ambiguous mother figure in F6...the blues moments such as 'Stop all the clocks', feel a bit stiff. Mary Carewe, meanwhile, finds...

Britten To America

Huw Watkins (piano), Samuel West (narrator), Andrew Kennedy (tenor), Jean Rigby (mezzo soprano) & Mary Carewe (mezzo soprano)

Ex Cathedra & Hallé, Sir Mark Elder & Jeffrey Skidmore

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Jean Rigby admirably handles the dialogue and the songs of the ambiguous mother figure in F6...the blues moments such as 'Stop all the clocks', feel a bit stiff. Mary Carewe, meanwhile, finds...

About

What better way to mark the end of Britten's centenary than release some unrecorded works, the majority of which haven't been heard since they were performed in the 1940s? This is Britten with a difference - there are large sections of blues, jazz, a 'Tibetan' chant, a Bach chorale and even a ukulele number!

Britten made the hazardous journey from the United States back to England in the spring of 1942. Within a few weeks he had faced a Tribunal exempting him from military service as a conscientious objector. In his statement to the Tribunal he had said “I believe sincerely that I can help my fellow human beings best, by continuing the work I am best qualified to do”, and almost immediately he began giving concerts with Peter Pears in towns, rural villages and prisons. He also wrote three major scores for radio propaganda programmes: first Appointment, a BBC drama set in an internment camp in France: then An American in England, six programmes about wartime conditions in England produced by the BBC for live transmission in the USA by CBS; and lastly Britain to America, three programmes as part of a weekly transmission by NBC.

The last of these was completed by January 1943; in spite of the speed with which they were written, the music is elaborate and dramatic – the composer is clearly limbering up for Peter Grimes, whose libretto was evolving during this period.

Britten first met Dennis Brain who was playing as principal horn of the RAF Orchestra in An American in England. “I took every opportunity to write elaborate horn solos”, Britten said. A few months later he had composed the Serenade for Tenor, Horn and Strings.

The British actor Samuel West has appeared in the movies Van Helsing, Iris, Notting Hill, Howard's End and Jane Eyre; he is frequently seen on stage for the Royal Shakespeare Company and also regularly heard in radio dramas.

Contents and tracklist

Overture
Track length4:05
Entr'actes for Mr. And Mrs. A.
Track length0:46
Entr'acte & Gunn's Song. The Chimney Sweepers
Track length1:20
Ransom. O Brothers
Track length5:05
Pantomime
Track length2:06
Mother's Song. Michael, You Shall Be Renowned
Track length2:06
Prelude
Track length1:30
Chant
Track length1:01
Climbing Music (1)
Track length0:24
Gunn's Song. Some Have Tennis-Elbow
Track length0:34
Climbing Music (2)
Track length0:35
Cabaret Jazz Song. Forget the Dead
Track length1:40
Ransom. O Senseless Hurricanes
Track length0:52
Funeral March & Chorus. No News
Track length0:49
Blues. Stop All the Clocks
Track length3:18
Mother's Song with Chorus. Acts of Injustice Done
Track length4:23
Chorale. Free Now from Indignation
Track length2:18
I. London by Clipper
Track length1:24
II. Dover to London. War Is Not All Sound and Fury
Track length1:20
III. Ration Island. Britains Never, Never Shall Be Slaves
Track length1:16
IVa. Women of Britain. London
Track length2:42
IVb. Women of Britain. You Walk Down to a Part of the City
Track length1:51
IVc. Women of Britain. Warren. To My Dearly Beloved Boy
Track length3:19
IVd. Women of Britain. It's a Beautiful August Morning
Track length0:43
IVe. Women of Britain. Within 50 Yards
Track length1:22
IVf. Women of Britain. Your First Factory
Track length1:29
IVg. Women of Britain. After the Last War
Track length0:30
IVh. Women of Britain. You Set Out for a Training Camp
Track length1:40
Roman Wall Blues
Track length2:23
Overture
Track length0:50
Ad libitum
Track length1:24
Chorus. The Clock on the Wall Gives an Electric Tick
Track length4:07
Prisoner's Monologue. Industrialists, Bankers, in Comfortable Chairs
Track length2:10
Fanfare (1)
Track length0:38
Moderato
Track length0:26
Fanfare (2)
Track length1:08
Chorus. Marching Songs. Brightly the Sun on Our Weapons Is Gleaming
Track length1:23
Chorus. Ostnian National Anthem
Track length0:25
Waltz. The Papers Say There'll Be War Before Long
Track length4:33
Journalists' Song. We Fly to a Cabinet Crisis
Track length0:52
Interlude
Track length2:52
Chorus. To Build a City
Track length2:33
Where Do We Go from Here?
Track length2:06

Spotlight on this release

Awards and reviews

July 2014

Jean Rigby admirably handles the dialogue and the songs of the ambiguous mother figure in F6...the blues moments such as 'Stop all the clocks', feel a bit stiff. Mary Carewe, meanwhile, finds freedom in 'Where do we go from here'...Plenty of food for thought and pleasure to be had here.

4th January 2014

Unexpected postscript to the composer’s centenary shows his versatility and completes the picture of his formative years

March 2014

All the participants are excellent, especially actor Samuel West playing a portrait gallery of characters, and NMC's production standards are impeccable, rolling together spoken word, choruses and instruments so that the seams never show. A disc of incidental music should not be as much fun.
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