Special offer. Sullivan, A: The Beauty Stone
Elin Manahan Thomas (soprano), Toby Spence (tenor), Rebecca Evans (soprano), Alan Opie (baritone), Stephen Gadd (baritone), Catherine Wyn-Rogers (mezzo-soprano), Madeleine Shaw (mezzo-soprano), David Stout (bass), Richard Suart (baritone), Olivia Gomez (soprano), Sarah Maxted (mezzo-soprano) &...
a deftly woven score, intriguingly cast in several registers...Sullivan's sophisticated add another layer of delight. The recording and presentation are admirable...I wish Toby Spence's epicurean...
Special offer. Sullivan, A: The Beauty Stone
Elin Manahan Thomas (soprano), Toby Spence (tenor), Rebecca Evans (soprano), Alan Opie (baritone), Stephen Gadd (baritone), Catherine Wyn-Rogers (mezzo-soprano), Madeleine Shaw (mezzo-soprano), David Stout (bass), Richard Suart (baritone), Olivia Gomez (soprano), Sarah Maxted (mezzo-soprano) &...
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a deftly woven score, intriguingly cast in several registers...Sullivan's sophisticated add another layer of delight. The recording and presentation are admirable...I wish Toby Spence's epicurean...
About
Sir Arthur Sullivan is best known for his famous collaboration with W.S. Gilbert, a supreme partnership the fruits of which have tended to overshadow Sullivan’s other musical endeavours. The Beauty Stone falls into this category of neglected works. A serious operatic work of epic duration, it was a surprising flop at its premiere in 1898, a time when Sullivan was at the height of his career. The audience was expecting something more in the mould of the composer’s fleet and nimble comic operas, and was unprepared for a work of such size and seriousness. Subsequently, Sullivan made dramatic edits to the score, removing some of the work’s most delightful music, but in this new recording all of the omitted music has been restored. The strength of the opera is undoubtedly its many fine melodies, superb orchestration, and excellent characterisation, as well as a vivid atmosphere suitably suggestive of the romantic mediaeval setting of the plot. This, the premiere commercial recording of the work is cast with some of the finest singers on the stage today and is conducted by Rory Macdonald, one of Britain’s most talented, dynamic young conductors. This release follows the highly regarded recording of Sullivan’s Ivanhoe.
Artists
Elin Manahan Thomas (soprano), Toby Spence (tenor), Rebecca Evans (soprano), Alan Opie (baritone), Stephen Gadd (baritone), Catherine Wyn-Rogers (mezzo-soprano), Madeleine Shaw (mezzo-soprano), David Stout (bass), Richard Suart (baritone), Olivia Gomez (soprano), Sarah Maxted (mezzo-soprano) & Llio Evans (soprano)
BBC National Chorus of Wales, BBC National Orchestra of Wales, Rory Macdonald
Contents and tracklist
- Rory Macdonald, BBC National Orchestra of Wales, Stephen Gadd, Elin Manahan Thomas, Catherine Wyn-Rogers, BBC National Chorus of Wales, Adrian Partington, Alan Opie
- Recorded: 29 January-3 February 2013
- Recording Venue: BBC Hoddinott Hall, Cardiff Bay, Cardiff, Wales, UK
- Rory Macdonald, BBC National Orchestra of Wales, BBC National Chorus of Wales, Madeleine Shaw, Toby Spence, Llio Evans, Adrian Partington, Alan Opie, Richard Suart, Elin Manahan Thomas, Olivia Gomez, Rebecca Evans, David Stout, Sarah Maxted, Stephen Gadd, Catherine Wyn-Rogers
- Rory Macdonald, BBC National Orchestra of Wales, BBC National Chorus of Wales, Rebecca Evans, Toby Spence, David Stout, Adrian Partington, Elin Manahan Thomas, Alan Opie
- Rory Macdonald, BBC National Orchestra of Wales, Madeleine Shaw, Toby Spence, Alan Opie, David Stout, Catherine Wyn-Rogers, BBC National Chorus of Wales, Elin Manahan Thomas, Adrian Partington
- Rory Macdonald, BBC National Orchestra of Wales, Elin Manahan Thomas, Madeleine Shaw, Rebecca Evans, Alan Opie
- Rory Macdonald, BBC National Orchestra of Wales, BBC National Chorus of Wales, Toby Spence, Adrian Partington, David Stout, Stephen Gadd, Catherine Wyn-Rogers, Elin Manahan Thomas, Alan Opie
Awards and reviews
January 2014
a deftly woven score, intriguingly cast in several registers...Sullivan's sophisticated add another layer of delight. The recording and presentation are admirable...I wish Toby Spence's epicurean lord had more and stronger material, but a magic stone, as the opera proves, can't work every miracle.
28th December 2013
thanks to the discovery of Sullivan’s autograph score, it comes to life in this sparkling recording...The medieval-mystery plot may be hokum, but there are enough scenes of musical depth to justify a reassessment.
January 2014
Opie revels in his Faustian role...[Thomas's] youthful soprano voice is well focused throughout and her identification with the part is never in doubt...Evans offers a vivid and dramatic profile of Saida...There's some lovely playing from the BBC NOW, particularly in the score's more reflective moments.
16th December 2013
[Macdonald's] exacting skill in the handling of pace, dynamics and texture is very much admired. The teasing out of nuances in the score allows the listener to appreciate the reasons why Sullivan is set on a higher plane than many of his contemporaries...A most enjoyable find.
17th November 2013
Sullivan’s score is charming, if hardly vintage, and is delivered here with brio by Rory McDonald and leading G&S lights
7th November 2013
It has never been recorded by professional singers before, and Rory Macdonald seems to have prepared with academic scrupulousness...it's very strongly cast, too, but there's no sense of an important rediscovery here.