Mancini: Solos for a Flute
Gwyn Roberts (recorder, flauto traverso)
Tempesta di Mare Chamber Players
Eight predictable sonatas elevated by characterful performance on various recorders/flute, assorted continuo adding colour. Neglected music which charms as much today as when composed in 1724.
Mancini: Solos for a Flute
Gwyn Roberts (recorder, flauto traverso)
Tempesta di Mare Chamber Players
Purchase product
Eight predictable sonatas elevated by characterful performance on various recorders/flute, assorted continuo adding colour. Neglected music which charms as much today as when composed in 1724.
About
Born in 1672 in Naples where he trained as an organist and composer, Francesco Mancini became one of the most prominent composers of Neapolitan opera in the eighteenth century.
The Solos for a Flute, published in 1724, were a collection of Sonatas dedicated to John Fleetwood, the English consul to Naples and himself an amateur flautist. Hoping to gain himself a steady remunerative position in England, Mancini designed this flattering dedication to take advantage of the popularity of Italian music in London and the rise in prominence of wind music at the time. Fleetwood died the year after the Solos were published and Mancini never moved from his native Italy. The quality of these works was nevertheless recognised in England and the Solos for a Flute achieved great success. The Sonatas, as the individual Solos are called, follow the usual four- or five-movement structure established by Corelli, wildly popular in England at the time. Clear Neapolitan influences are present, however, in elements such as the minor tonalities and almost operatic melodies employed in the slow movements.
This collection of substantial excerpts from the set is performed by the Tempesta di Mare Chamber Players, the Philadelphia-based early music ensemble, which has been recording exclusively for Chandos since 2004. Gwyn Roberts, co-director of the ensemble, playing a variety of period flutes and recorders, is the soloist.
Contents and tracklist
- Gwyn Roberts, Richard Stone, Adam Pearl, Lisa Terry
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Richard Stone, Lisa Terry
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Adam Pearl
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Richard Stone, Adam Pearl, Lisa Terry
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Richard Stone, Adam Pearl
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Richard Stone
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Adam Pearl, Lisa Terry
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
- Gwyn Roberts, Richard Stone, Adam Pearl, Lisa Terry
- Recorded: 18-20 June 2013
- Recording Venue: Leith Symington Griswold Hall, Peabody Conservatory, Baltimore, Maryland
Awards and reviews
June 2014
Eight predictable sonatas elevated by characterful performance on various recorders/flute, assorted continuo adding colour. Neglected music which charms as much today as when composed in 1724.
13th October 2014
This is first-class entertainment, and, considering the theatrical aspects of these sonatas, often more than that.