Menahem Pressler Plays Beethoven, Schubert & Chopin
Menahem Pressler (piano)
He has always had an unmistakeable sound: sparkling, limpid and full of wit and wisdom. The good news is that it is still there; and though the fingers do not always move as smoothly as they...
Menahem Pressler Plays Beethoven, Schubert & Chopin
Menahem Pressler (piano)
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He has always had an unmistakeable sound: sparkling, limpid and full of wit and wisdom. The good news is that it is still there; and though the fingers do not always move as smoothly as they...
About
Turning 90 in December 2013, Menahem Pressler was the pianist of the legendary Beaux Arts Trio for almost 55 years, and continues to enjoy a blossoming career as soloist and recitalist, while remaining as committed to teaching as ever.
For the greater part of his life, Pressler has lived with the two great sonatas recorded here, and has recounted how he studied Beethoven’s Sonata in A flat major, Op.110 as a young man after having fled Nazi Germany for Israel in 1939: ‘I didn't really understand many of the things that I understand now. I only understood the enormous emotional... tearing, tearing on my insides...’
Schubert’s last sonata D.960, explores the emotions of a man who knows he has a limited time to live, and in which the slow movement resonates like a funeral march whilst also showing happiness and peace of mind.
Contents and tracklist
- Menahem Pressler
- Recorded: February-March 2012
- Recording Venue: Potton Hall, Westleton, Suffolk, England
- Menahem Pressler
- Recorded: February-March 2012
- Recording Venue: Potton Hall, Westleton, Suffolk, England
- Menahem Pressler
- Recorded: February-March 2012
- Recording Venue: Potton Hall, Westleton, Suffolk, England
Awards and reviews
Christmas Issue 2013
He has always had an unmistakeable sound: sparkling, limpid and full of wit and wisdom. The good news is that it is still there; and though the fingers do not always move as smoothly as they once did, spending a lifetime with the piano masterpieces pays its own dividends.
August 2014
Playing as if before a small late-night audience of friends, Menahem Pressler gives us a warmth and speculation far removed from a more impersonal concert-hall brio and self-conscious mastery...The recorded sound captures the tonal bloom and magic of the playing, making this a memorable issue