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Mozart: Clarinet Quintet K581 & String Quartet K421

Jörg Widmann (clarinet)

Arcanto Quartett

Widmann plays the Mozart Quintet with smooth phrasing and beautifully pure tone...Widmann is well matched tonally by the Arcanto Quartet, an ensemble of well-known soloists whose quality is...

Mozart: Clarinet Quintet K581 & String Quartet K421

Jörg Widmann (clarinet)

Arcanto Quartett

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This release includes a digital booklet

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Widmann plays the Mozart Quintet with smooth phrasing and beautifully pure tone...Widmann is well matched tonally by the Arcanto Quartet, an ensemble of well-known soloists whose quality is...

About

We owe these two masterpieces to the musical friendships Mozart made during his years in Vienna. The celestial beauties of the Quintet K581 were tailor-made for the great clarinettist Anton Stadler, while the Quartet K421, more severe in tone, is one of the six Mozart dedicated to his ‘caro amico’ Joseph Haydn. Here then is the ideal programme for the four friends of the Arcanto Quartett to show their affinities with the Mozartian repertoire – for the very first time on CD.

After trying out several different chamber combinations, Antje Weithaas, Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras founded the Arcanto Quartet in 2002. The four musicians, who in addition to their musical affinities also share a close personal friendship, attracted the attention of the musical world right from their first concert in Stuttgart in 2004. Since then the quartet has performed at all the leading concert halls, including the Beethovenhaus in Bonn, the Théâtre du Châtelet and Cité de la Musique in Paris, the Wigmore Hall in London, the Vienna Konzerthaus, the Berlin Philharmonie, and the Edinburgh, Helsinki and Montreux festivals, not forgetting regular tours to Japan and North America.

Jörg Widmann studied the clarinet with Gerd Starke at the Munich Hochschule für Musik and later with Charles Neidich at the Juilliard School in New York. He regularly performs chamber music with partners including Tabea Zimmermann, Heinz Holliger, András Schiff, Christian Tetzlaff, Renaud Capuçon and Hélène Grimaud. As a soloist, he appears with major orchestras under conductors such as Christoph von Dohnányi, René Jacobs, Christoph Eschenbach and Kent Nagano. Several clarinet concertos have been dedicated to and premiered by him, notably works by Wolfgang Rihm, Aribert Reimann and Heinz Holliger. Widmann studied composition with Wolfgang Rihm and Hans Werner Henze, among others, and has won many prizes for his works. The 2012/13 season saw the premiere of his opera 'Babylon' at the Bavarian State Opera under Kent Nagano, and performances by the HRSinfonieorchester and Paavo Järvi and the Berlin Philharmonic conducted by Sir Simon Rattle.

Contents and tracklist

I. Allegro
Track length9:09
II. Larghetto
Track length6:07
III. Menuetto
Track length7:04
IV. Allegretto con Variazioni
Track length9:22
I. Allegro moderato
Track length8:01
II. Andante
Track length6:08
III. Menuetto
Track length3:47
IV. Allegretto ma non troppo
Track length9:00

Awards and reviews

December 2013

Widmann plays the Mozart Quintet with smooth phrasing and beautifully pure tone...Widmann is well matched tonally by the Arcanto Quartet, an ensemble of well-known soloists whose quality is revealed in the development of the first movement...This is a refined and thoughtful performance.

November 2013

If you want a recording of Mozart's Quintet on a conventional clarinet, Jörg Widmann and the Arcanto Quartet are up there with the best...few performances I know rival Widmann and the Arcanto for mingled refinement, imagination and sensitive give and take.

November 2013

These players throw themselves wholeheartedly into the performance- living every note. The Arcanto, it is clear, is a quartet of soloist, each forthright when placed by Mozart in the spotlight, but subtle and homogeneous accompanists as an ensemble too… Jorg Widmann is a perfect partner.

7th September 2013

The dry, almost flute-like tone achieved by Jörg Widmann brings perfect poise to the delicate trills and languid undulations of the Allegro, before the exquisite interplay of clarinet and violin in the Larghetto.
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