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Wagner: Overtures & Preludes

Orchester der Deutschen Oper Berlin, Christian Thielemann

Wagner: Overtures & Preludes
The incandescent strings are on inspired form. Imperturbable in its crucial role, the reedy sounding oboe is quite magnificently played. The final work is the Prelude to Die Meistersinger von...

Wagner: Overtures & Preludes

Orchester der Deutschen Oper Berlin, Christian Thielemann

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The incandescent strings are on inspired form. Imperturbable in its crucial role, the reedy sounding oboe is quite magnificently played. The final work is the Prelude to Die Meistersinger von...

About

Christian Thielemann studied viola and piano at the Hochschule für Musik in Berlin and took private lessons in composition and conducting before becoming répétiteur aged 19 at the Deutsche Oper Berlin with Heinrich Hollreiser and working as Herbert von Karajan's assistant.

In 1997, he became Generalmusikdirektor of the Deutsche Oper Berlin, a post he held until 2004, during which time he conducted all ten of Wagner's stage works. He is regarded as the leading exponent of the Austro-German conducting tradition, in the manner of Furtwängler and Karajan Thielemann's tour with his orchestra, just after the end of his tenure as General Music Director, included the Viennese concert given here, recorded by Austrian radio, affording the present recording a particular documentary value. Here he is, live at the Musikverein on 28th November, 2004, in exemplary form as evinced by an enthusiatic reception from the Viennese public.

Contents and tracklist

Overture (Live)
Track length12:25
Prelude (Live)
Track length9:18
Overture (Live)
Track length14:13
Siegfried's Rhine Journey (Live)
Track length13:23
Karfreitagszauber (Live)
Track length11:20
Prelude (Live)
Track length11:13
Isoldes Liebestod (Arr. for Orchestra) [Live]
Track length8:26
Prelude (Live)
Track length10:17

Awards and reviews

December 2013

The incandescent strings are on inspired form. Imperturbable in its crucial role, the reedy sounding oboe is quite magnificently played. The final work is the Prelude to Die Meistersinger von Nürnberg. This has a biting vitality as well as dramatic weight. Thielemann’s approach to rhythm and tempi reminded me of 1940s vintage Furtwängler… A true meeting of minds between orchestra and conductor.”
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