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Beethoven Explored Volume 5

Peter Sheppard Skærved (violin) & Aaron Shorr (piano)

Beethoven Explored Volume 5
[The Romberg] is played most sympathetically, and I also enjoyed the Beethoven performances...there's enough flexibility to allow the music to breathe, and to project the contrasts between different...

Beethoven Explored Volume 5

Peter Sheppard Skærved (violin) & Aaron Shorr (piano)

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
[The Romberg] is played most sympathetically, and I also enjoyed the Beethoven performances...there's enough flexibility to allow the music to breathe, and to project the contrasts between different...

About

This is the fifth disc in a series that sets Beethoven’s violin sonatas in their social and musical context. Beethoven’s three Sonatas Op 12, mark the beginning of an extraordinary group of works which would climax with the Op 96 Sonata which he completed at the end of 1812.

Beethoven and Romberg shared a history as string players. In 1790, Romberg joined Beethoven in the electoral court orchestra in Bonn, led by Beethoven’s erstwhile violin teacher, Franz Anton Ries. This laid the foundations for Beethoven when he instituted his team of string players in Vienna in the years following his arrival there in 1792. These collaborations laid the ground for the innovations of the cycle of piano/violin sonatas from 1798 to 1812.

Contents and tracklist

I. Allegro con brio
Track length8:33
II. Theme and Variations. Andante con moto
Track length6:41
III. Rondo. Allegro
Track length4:34
I. Allegro vivace
Track length6:09
II. Andante, più tosto allegretto
Track length5:23
III. Allegro piacevole
Track length4:45
I. Allegro con spirito
Track length8:28
II. Adagio con molto espressione
Track length6:25
III. Rondo. Allegro molto
Track length4:09
I. Allegro non molto
Track length7:19
II. Larghetto cantabile
Track length3:33
III. Allegretto
Track length4:06

Awards and reviews

November 2013

[The Romberg] is played most sympathetically, and I also enjoyed the Beethoven performances...there's enough flexibility to allow the music to breathe, and to project the contrasts between different ideas, but never at the expense of continuity.
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