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Tchaikovsky: Symphony No. 6

Lisa Batiashvili (violin)

Rotterdam Philharmonic Orchestra, Yannick Nezet-Seguin

Tchaikovsky: Symphony No. 6
I have to hand it to Yannick Nezet-Seguin: this is without question one of the finest Pathetiques to have come my way in the last 30 or so years. Proof of credentials appears fairly early on.

Tchaikovsky: Symphony No. 6

Lisa Batiashvili (violin)

Rotterdam Philharmonic Orchestra, Yannick Nezet-Seguin

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
I have to hand it to Yannick Nezet-Seguin: this is without question one of the finest Pathetiques to have come my way in the last 30 or so years. Proof of credentials appears fairly early on.

About

The dynamic young French-Canadian conductor records the symphony that has played a central role in his remarkable career.

Yannick Nézet-Séguin first heard it live in Montreal at the age of eight. It was the work he chose for his debut with both the Orchestre Métropolitain du Grand Montréal and the Philadelphia Orchestra.

Conducting this quintessentially Russian music with the Rotterdam Philharmonic acknowledges his predecessor on the podium, Valery Gergiev, as well as showcasing the depth and refinement of the Dutch orchestra’s rich textures.

Yannick Nézet-Séguin admires Tchaikovsky not just as a composer of heart-breaking melodies but also as a master symphonist. “The point for me is this work’s pervasive lust for life, and the lack of faith in humanity which is the implicit message of the end.”

The symphony is accompanied by two sets of Tchaikovsky’s songs, in arrangements for piano and violin. Yannick Nézet-Séguin at the piano is joined by star violinist Lisa Batiashvili, whose understanding of the original Russian texts colours her interpretation.

At just 37, Yannick Nézet-Séguin is a driving force on the international music scene. He has conducted operas at The Metropolitan, Covent Garden and the Salzburg Festival and concerts with many of the world’s leading orchestras. Music Director of the Rotterdam Philharmonic and the Philadelphia Orchestra, he signed a long-term recording contract with Deutsche Grammophon in June 2012.

Contents and tracklist

I. Adagio - Allegro non troppo
Track length18:33
II. Allegro con grazia
Track length7:40
III. Allegro molto vivace
Track length8:10
IV. Finale: Adagio lamentoso - Andante
Track length10:14
No. 1, Do Not Believe, My Friend. Moderato assai (Arr. for Violin and Piano)
Track length3:43
No. 2, Not a Word, O My Friend. Andante ma non troppo
Track length2:37
No. 5, Why? Moderato
Track length2:24
No. 6, None but the Lonely Heart. Andante non tanto
Track length3:12
No. 2
Track length3:32
No. 4
Track length1:44
No. 6
Track length2:33

Awards and reviews

December 2013

I have to hand it to Yannick Nezet-Seguin: this is without question one of the finest Pathetiques to have come my way in the last 30 or so years. Proof of credentials appears fairly early on.
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