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Schumann: Piano Works

Mitsuko Uchida (piano)

Schumann: Piano Works

Awards:

Uchida makes a strong case for works she clearly loves

Schumann: Piano Works

Mitsuko Uchida (piano)

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Uchida makes a strong case for works she clearly loves

About

One of the world’s foremost Schumann interpreters explores his late piano works

Dame Mitsuko Uchida, universally acknowledged as one of the world’s foremost Schumann interpreters, follows her last album of the composer’s music (Davidsbündlertänze and Fantasie in C) with another sublime Schumann programme.

Uchida’s latest Decca recording brings together the romantic fire and intensity of the Piano Sonata No. 2 in G minor Op. 22 with two remarkable works from Schumann’s final years, Waldszenen and the Gesänge der Frühe.

Her album’s repertoire explores music created by an artist burdened by deep depression and mental illness. His Gesänge der Frühe (“Songs of Dawn”) were sketched within the space of four days in February 1854, shortly before Schumann attempted to commit suicide by throwing himself in the Rhine. The work proved to be his last complete piano composition.

Contents and tracklist

1. Eintritt
Track length2:25
2. Jäger auf der Lauer
Track length1:24
3. Einsame Blumen
Track length2:40
4. Verrufene Stelle
Track length3:56
5. Freundliche Landschaft
Track length1:01
6. Herberge
Track length2:07
7. Vogel als Prophet
Track length3:42
8. Jagdlied
Track length2:57
9. Abschied
Track length4:08
1. So rasch wie möglich - Schneller - Noch schneller
Track length6:35
2. Andantino
Track length4:44
3. Scherzo (Sehr rasch und markiert)
Track length2:04
4. Rondo (Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller)
Track length6:01
1. Im ruhigen Tempo
Track length3:16
2. Belebt, nicht zu rasch
Track length2:35
3. Lebhaft
Track length2:58
4. Bewegt
Track length3:10
5. Im Anfang ruhiges, im Verlauf bewegtes Tempo
Track length3:20

Awards and reviews

Christmas Issue 2013

Uchida makes a strong case for works she clearly loves

December 2013

This is such thoughtful and thought-provoking playing. Uchida at her best, in other words, which is quite something.

6th October 2013

Uchida brings to them a profound thoughtfulness and discretion, an acute endorsement of Schumann’s late style. Her accounts of sonata and lyric pieces are new-minted and captivating.

New York Times December 2013

Uchida is still a queen of her instrument: her phrasing heartfelt, her tone warm and her responsiveness to mood acute...She plays with sweeping scope but, especially in the “Gesänge der Frühe” (“Songs of Dawn”), incredible intimacy, too.
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