Schumann: Piano Works
Mitsuko Uchida (piano)
Awards:
-
Gramophone Awards, 2014, Shortlisted - Instrumental
Uchida makes a strong case for works she clearly loves
Schumann: Piano Works
Mitsuko Uchida (piano)
Purchase product
Awards:
-
Gramophone Awards, 2014, Shortlisted - Instrumental
Uchida makes a strong case for works she clearly loves
About
One of the world’s foremost Schumann interpreters explores his late piano works
Dame Mitsuko Uchida, universally acknowledged as one of the world’s foremost Schumann interpreters, follows her last album of the composer’s music (Davidsbündlertänze and Fantasie in C) with another sublime Schumann programme.
Uchida’s latest Decca recording brings together the romantic fire and intensity of the Piano Sonata No. 2 in G minor Op. 22 with two remarkable works from Schumann’s final years, Waldszenen and the Gesänge der Frühe.
Her album’s repertoire explores music created by an artist burdened by deep depression and mental illness. His Gesänge der Frühe (“Songs of Dawn”) were sketched within the space of four days in February 1854, shortly before Schumann attempted to commit suicide by throwing himself in the Rhine. The work proved to be his last complete piano composition.
Contents and tracklist
- Mitsuko Uchida (piano)
- Recorded: 2013-05-28
- Recording Venue: Reitstadel, Neumarkt
- Mitsuko Uchida (piano)
- Recorded: 2013-05-28
- Recording Venue: Reitstadel, Neumarkt
- Mitsuko Uchida (piano)
- Recorded: 2013-05-28
- Recording Venue: Reitstadel, Neumarkt
- Mitsuko Uchida (piano), Dorothea Röschmann (soprano)
- Recorded: 2013-05-28
- Recording Venue: Reitstadel, Neumarkt
Awards and reviews
Christmas Issue 2013
Uchida makes a strong case for works she clearly loves
December 2013
This is such thoughtful and thought-provoking playing. Uchida at her best, in other words, which is quite something.
6th October 2013
Uchida brings to them a profound thoughtfulness and discretion, an acute endorsement of Schumann’s late style. Her accounts of sonata and lyric pieces are new-minted and captivating.
New York Times December 2013
Uchida is still a queen of her instrument: her phrasing heartfelt, her tone warm and her responsiveness to mood acute...She plays with sweeping scope but, especially in the “Gesänge der Frühe” (“Songs of Dawn”), incredible intimacy, too.