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Dvorak: Cello Concertos

Steven Isserlis (cello)

Mahler Chamber Orchestra, Daniel Harding

Dvorak: Cello Concertos

Awards:

this performance is remarkably fine and the interaction between soloist and orchestra generates one of the most exciting ensemble performances of recent years. Steven Isserlis is inside the...

Dvorak: Cello Concertos

Steven Isserlis (cello)

Mahler Chamber Orchestra, Daniel Harding

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This release includes a digital booklet

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Awards:

this performance is remarkably fine and the interaction between soloist and orchestra generates one of the most exciting ensemble performances of recent years. Steven Isserlis is inside the...

About

Hyperion is delighted to present the world’s best-loved cello concerto performed by one of the world’s best-loved cellists: national treasure Steven Isserlis. Isserlis has waited 40 years to record this pinnacle of the repertoire, and here with his regular collaborators, the Mahler Chamber Orchestra and Daniel Harding, this long gestation has proved to be overwhelmingly fruitful. Isserlis writes of the concerto that ‘the power of its emotional journey, expressed with Dvorák’s characteristically folk-like simplicity and directness, offers an irresistible mix of the epic and the touchingly confessional’. The combination of emotional power and simplicity is also a feature of Isserlis’s playing, and part of what makes him such a consummate performer of this work.

This album puts Dvorák’s B minor cello concerto in context, including not only the original ending, but an orchestral version of the song Lasst mich allein which is quoted in the concerto’s second and third movements.

Isserlis has also recorded a version of Dvorák’s first cello concerto, a little-known work from the composer’s early period which he never orchestrated. This version (in what is almost definitely its premiere recording) is by German composer Günter Raphael, whose works were performed by Furtwängler among others, and is extensively rewritten from the composer’s original. To turn to Isserlis’s own words again: ‘Of course, it is not a masterpiece on the level of the later B minor concerto; but is it fair to lock up an older child just because their younger sibling is a genius? I love the A major concerto for the beauty of its melodies, for the freshness of its inspiration, for its typically rustic spirit—and for the sense of sheer joy that bubbles through the entire work.’

Contents and tracklist

I. Allegro
Track length14:52
II. Adagio ma non troppo
Track length11:29
III. Allegro moderato
Track length13:03
I. Andante – Allegro non troppo
Track length16:30
II. Andante cantabile
Track length6:55
III. Allegro risoluto
Track length10:26

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    30th September 2013
  • Gramophone Magazine
    October 2013
    Editor's Choice
  • BBC Music Magazine
    November 2013
    Orchestral Choice

November 2013

this performance is remarkably fine and the interaction between soloist and orchestra generates one of the most exciting ensemble performances of recent years. Steven Isserlis is inside the piece from the start...this is a performance to treasure for its beauty and commitment.

October 2013

Isserlis is on spellbindingly eloquent form in an entrancingly poetic and urgently communicative reading that really does sound like it's being captured on the wing...Harding and the Mahler CO are with him every step of the way; theirs is a real, breathing collaboration...Don't miss this special release.

30th September 2013

The overriding impressions I gained in listening to the concerto, right from the outset, were of a confident and majestic treatment of the music, from both orchestra and soloist...This may be a disc built around performances by Steven Isserlis, but I must confess that for me the most delightful track is the orchestrated version of Dvořák’s own Lied, “Lasst mich allein”.

29th September 2013

his performance recalls the reckless abandon of the youthful Jacqueline du Pré in the work’s most extrovert passages, albeit tempered with the wisdom of experience and musical maturity...abetted by magically fresh music-making from Harding’s MCO.

29th September 2013

The death of [Dvorak's] sister-in-law prompted the rewriting of the last movement of the later concerto, played, as is the whole, with a passion that is thrillingly balletic.

9th November 2013

How wonderful to hear a familiar work sounding so fresh and potent. Steven Isserlis's Dvořák anthology is revelatory, in so many ways. There's the sumptious orchestral playing from Daniel Harding's Mahler Chamber Orchestra...Isserlis is terrific – blending security with spontaneity, his quiet playing so eloquent.
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