Schubert: Symphony No. 6
Swedish Chamber Orchestra, Thomas Dausgaard
internal balance within the orchestra is dexterously managed by Thomas Dausgaard. And his pacing of the opening Adagio instils confidence, the line shaped by phrases stretched and contracted,...
Schubert: Symphony No. 6
Swedish Chamber Orchestra, Thomas Dausgaard
Purchase product
internal balance within the orchestra is dexterously managed by Thomas Dausgaard. And his pacing of the opening Adagio instils confidence, the line shaped by phrases stretched and contracted,...
About
Symphony No. 6 was composed by a 20-year-old Schubert who wished to pay tribute to one of his heroes at the time: Rossini.
This is the second disc in an on-going cycle of Schubert’s symphonies with the SCO and Thomas Dausgaard, described by BBC Music Magazine described as ‘an excitingly combative, and ultimately very plausible new look at Schubert.’
Contents and tracklist
Work length30:30
- Swedish Chamber Orchestra
- Thomas Dausgaard
- Recorded: February 2012
- Recording Venue: Orebro Concert Hall, Sweden
I. Adagio - Allegro
Track length9:08
II. Andante
Track length6:12
III. Scherzo. Presto - Più lento
Track length6:09
IV. Allegro moderato
Track length9:01
Schubert:
Rosamunde, Op. 26, D. 797 (Excerpts)
Work length32:12
- Swedish Chamber Orchestra
- Thomas Dausgaard
- Recorded: February 2012
- Recording Venue: Orebro Concert Hall, Sweden
No. 1, Entr'acte. Allegro molto moderato
Track length7:50
No. 5, Entr'acte. Andantino
Track length6:30
No. 3a, Entr'acte. Andante
Track length2:59
No. 9, Ballet Music. Andantino
Track length7:12
No. 2, Ballet. Allegro moderato - Andante un poco assai
Track length7:41
Awards and reviews
October 2013
internal balance within the orchestra is dexterously managed by Thomas Dausgaard. And his pacing of the opening Adagio instils confidence, the line shaped by phrases stretched and contracted, dynamics thoughtfully graded, the interpretation of the whole work thoughtfully considered.
17th September 2013
with the famous tune of Entr’acte No. 3 played with warmth and affection, the two ballets given perfect energy and tempi and plenty of atmospheric dramas elsewhere I can find nothing to complain about...it is Thomas Dausgaard who brings us closer to the earthy reality of an orchestra in something approaching a theatre setting.
