Help
Skip to main content

Zuidam: McGonagall-Lieder

Asko|Schönberg, Pianoduo Post & Mulder, Katrien Baerts (soprano)

Oliver Knussen

Zuidam: McGonagall-Lieder
the performers throw themselves into the music with wholehearted dedication and commitment, making the best possible case for the score.

Zuidam: McGonagall-Lieder

Asko|Schönberg, Pianoduo Post & Mulder, Katrien Baerts (soprano)

Oliver Knussen

Purchase product

CD

$18.00

2 available: usually despatched in 3 - 4 working days

Download

From$10.00

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
the performers throw themselves into the music with wholehearted dedication and commitment, making the best possible case for the score.

About

‘McGonagall-Lieder’ is a song cycle by the contemporary Dutch composer Robert Zuidam setting words by the infamous if legendary Scottish ‘poet’ William McGonagall. The music is conducted by Oliver Knussen and performed by soprano Katrien Baerts, Pianoduo Post & Mulder and Asko|Schönberg.

The song cycle highlights the theatrical sound for which Zuidam is particularly known, and is arranged for a unique combination of instruments with four cellos, double bass, percussion and two pianos supporting the soprano voice. The texts come from William McGonagall, the Victorian poet from Dundee. The Times Literary Supplement once wrote about this legendary but controversial writer: “A real genius, for he is the only memorable bad poet in our language”. Amongst his most memorable verse is The Tay Bridge Disaster, which concludes ‘McGonagall-Lieder’.

Robert Zuidam studied composition at the Conservatory of Rotterdam. He was awarded the Koussevitzky Composition Prize for ‘Fishbone’, a work for wind instruments and piano, and a Leonard Bernstein Scholarship enabled him to return to Tanglewood as a student. In 2010, Zuidam taught and lectured at Harvard University as Erasmus Professor, and was awarded the Kees van Baaren-Prize in The Hague for his opera ‘Rage d'amours’. The core of Zuidam’s compositional activities lies in the field of vocal music, particularly that of musical theatre.

Contents and tracklist

Awards and reviews

6th September 2013

the performers throw themselves into the music with wholehearted dedication and commitment, making the best possible case for the score.

27th June 2013

As Knussen's performance with the ensemble Asko Schönberg demonstrates, every detail in the instrumental writing is precisely judged and the piece is assembled with such care that it's totally absorbing, and never remotely frivolous.
View download progress