Deutsche Motette
Choir of Gonville & Caius College, Cambridge & Choir of King’s College London, David Trendell & Geoffrey Webber
This performance of Strauss's Deutsche Motette has the right quality of rapture...Credit to the conductor David Trendell for eliciting from his combined college choirs, whose youthful freshness...
Deutsche Motette
Choir of Gonville & Caius College, Cambridge & Choir of King’s College London, David Trendell & Geoffrey Webber
Purchase product
This performance of Strauss's Deutsche Motette has the right quality of rapture...Credit to the conductor David Trendell for eliciting from his combined college choirs, whose youthful freshness...
About
Delphian’s 'superchoir' reunites after its highly successful recording of Shchedrin’s 'The Sealed Angel', this time for a programme of German Romantic music.
Strauss’s sumptuous 'Deutsche Motette' is the last word in late Romantic choral opulence, its teeming polyphony brought to thrilling life by this virtuoso cast of over 60 singers. ['Rosenkavalier' meets 'Friede auf Erden' via 'The bells'] The rest of the programme explores the vivid colours and shadowy half-lights of a distinctly German music that reached its culmination in Strauss’s extravagant masterpiece. The singing throughout combines a musical intensity and imagination with an understanding of period style, that are hallmarks of both choirs’ work.
The Choir of Gonville and Caius College, Cambridge (directed by Geoffrey Webber) and The Choir of King’s College London (directed by David Trendell) are two of the UK’s leading collegiate and university choirs. Both choirs combine singing at services during term time with a busy schedule of concerts, recordings and broadcasts, both in the UK and abroad.
Contents and tracklist
- Timothy Mirfin (bass), Kate Symonds-Joy (contralto), Helen Massey (soprano), William Kendall (tenor), Charity Mapletoft (soprano), Victoria Holden (soprano), Billie Robson (soprano)
- The Choir of Gonville & Caius College Cambridge, The Choir of King's College London
- David Trendell
- Recorded: 4-6 July 2012
- Recording Venue: St. John's Church, Upper Norwood, London, England, United Kingdom
- Poppy Ewence (soprano), Felicity McDermott (alto), James Way (tenor), Nicholas Crawford (bass), Ruby Dayan (soprano), Catherine Harrison (soprano), Emma Gullifer (alto), Hugh Benson (tenor)
- The Choir of Gonville & Caius College Cambridge, The Choir of King's College London
- Geoffrey Webber
- Recorded: 4-6 July 2012
- Recording Venue: St. John's Church, Upper Norwood, London, England, United Kingdom
- David Ward (fortepiano)
- The Choir of Gonville & Caius College Cambridge, The Choir of King's College London
- Geoffrey Webber
- Recorded: 4-6 July 2012
- Recording Venue: St. John's Church, Upper Norwood, London, England, United Kingdom
- The Choir of Gonville & Caius College Cambridge, The Choir of King's College London
- Geoffrey Webber
- Recorded: 4-6 July 2012
- Recording Venue: St. John's Church, Upper Norwood, London, England, United Kingdom
- The Choir of Gonville & Caius College Cambridge, The Choir of King's College London
- Geoffrey Webber
- Recorded: 4-6 July 2012
- Recording Venue: St. John's Church, Upper Norwood, London, England, United Kingdom
- The Choir of Gonville & Caius College Cambridge, The Choir of King's College London
- David Trendell
- Recorded: 4-6 July 2012
- Recording Venue: St. John's Church, Upper Norwood, London, England, United Kingdom
Awards and reviews
October 2013
This performance of Strauss's Deutsche Motette has the right quality of rapture...Credit to the conductor David Trendell for eliciting from his combined college choirs, whose youthful freshness to the interpretation which suits the imprecatory nature of Rückert's poem perfectly.
July 2013
the frank, forward tone of this ensemble softens the academic rigidity of the Brahms and makes a surprise highlight of Peter Cornelius's Liebe
8th July 2013
Strauss’s Deutsche Motette, Op 62...is one of those multi- part, a cappella prodigies like Tallis’s Spem in alium. With its roving romantic harmony it’s even more sumptuous than that famed precursor, and comes across magnificently, clean-lined yet surging.
28th September 2013
it’s brimming with secure confidence, the combined choral forces producing a glorious sound under David Trendell.