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Special offer. Wagner: Die Walküre: Act 1

Nina Stemme (Sieglinde), Johan Botha (Siegmund) & Ain Anger (Hunding)

Orchester der Wiener Staatsoper, Franz Welser-Möst

Wagner: Die Walküre: Act 1
Botha's technical security and breath control are undeniable...but I find his basic sound constricted and uneven, stronger at the top than in the baritonal reaches...[Stemme] is the main vocal...

Special offer. Wagner: Die Walküre: Act 1

Nina Stemme (Sieglinde), Johan Botha (Siegmund) & Ain Anger (Hunding)

Orchester der Wiener Staatsoper, Franz Welser-Möst

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Botha's technical security and breath control are undeniable...but I find his basic sound constricted and uneven, stronger at the top than in the baritonal reaches...[Stemme] is the main vocal...

About

In Richard Wagner’s 'Ring of the Nibelung', the first act of 'Die Walküre' takes up a special place. The love-triangle of the twins Siegmund and Sieglinde and the ominous Hunding stands out in the context of this tetralogy because it possesses its own dramatic tension and self-enclosed trajectory within what is otherwise such a complex, richly interconnected series of works. In musical terms it goes from one climax to the next, from the turbulent orchestral prelude through to Siegmund’s love song “Winterstürme wichen dem Wonnemond” and the passionate union of the sibling couple. At the most recent production at the Vienna State Opera, the twins were sung by Nina Stemme and – for the first time in the role – Johan Botha. Their antagonist Hunding was sung by Ain Anger, whose mighty bass voice was paired with a subtle art of characterisation. All three received a tumultuous reception, from the public and critics alike. The soprano and tenor have since enjoyed international success in even more dramatic Wagner roles – Nina Stemme, for example, has sung Brünnhilde in San Francisco, Vienna and Milan, and will perform at the BBC Proms with Barenboim; while Johan Botha has sung Tannhäuser in Vienna and London. But already as Sieglinde and Siegmund it was evident that they would retain their vocal beauty and legato phrasing despite the heavy-duty nature of the roles. Both Stemme and Botha are possessed of remarkably clear diction and capable of light and shade. This is no 'stand and deliver' barking. Johan Botha will sing the role of Siegmund at this year's Bayreuth concert to celebrate Wagner’s 200th birthday and will do so again on the Bayreuth stage this summer. The luxury accompaniment is the Orchestra of the Vienna State Opera, conducted in 2007 by its General Music Director, Franz Welser-Möst, and was also on top form. Wagner is rarely heard with such opulence and iridescence while still so transparent and unforced. This CD release of the live performance is an absolute must - just listen to the cheers at the end.

Nina Stemme was awarded Best Female Singer at the International Opera Awards 2013. She sings all the Brünnhildes in Barenboim's 'Ring' this summer and also appears on the Mariinsky 'Walküre' with Valery Gergiev.

Contents and tracklist

Prelude (Live)
Track length3:16
Wes Herd dies auch sei, hier muss ich rasten! (Live)
Track length2:39
Kuhlende Labung gab mir der Quell (Live)
Track length8:39
Mud am Herd fand ich den Mann (Live)
Track length4:42
Friedmund darf ich nicht heissen (Live)
Track length4:16
Aus dem Wald trieb es mich fort (Live)
Track length5:36
Ich weiss ein wildes Geschlecht (Live)
Track length5:34
Ein Schwert verhiess mir der Vater (Live)
Track length5:27
Schlafst du, Gast? - Der Manner Sippe sass hier im Saal (Live)
Track length6:35
Wintersturme wichen dem Wonnemond "Siegmund's Spring Song" (Live)
Track length2:47
Du bist der Lenz, nach dem ich verlangte (Live)
Track length6:20
Wehwalt heisst du furwahr? - Siegmund heiss' ich (Live)
Track length5:37

Awards and reviews

September 2013

Botha's technical security and breath control are undeniable...but I find his basic sound constricted and uneven, stronger at the top than in the baritonal reaches...[Stemme] is the main vocal reason for acquiring the disc...The other plus is the glorious playing of the Orchestra of the Vienna State Opera.

27th September 2013

Its chief asset is Nina Stemme who is a Sieglinde of rare nobility and authority...Botha’s bel canto-ish way with the line delivers a reading that remains distinctive, especially in the clean-ness of its attack....Anger is also a very successful Hunding, vigorous of voice and sly of character...
The playing of the orchestra is predictably excellent, as it always is from this source.

29th August 2013

Botha is the ardent if lightweight Siegmund, Nina Stemme his neurotic-sounding, declamatory Sieglinde. The real vocal honours, though, go to Ain Anger's superbly characterised Hunding – no bully boy, but a man who masks possessive resentment beneath a chilling mask of politeness.
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