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Hungarian Works for Violin & Cello

Friedemann Eichhorn (violin), Alexander Hulshoff (cello)

they never attempt to imitate folk instruments but play with a full-out, classically cultivated tone, but one that never smooths over the rough edges. The best of two worlds?

Hungarian Works for Violin & Cello

Friedemann Eichhorn (violin), Alexander Hulshoff (cello)

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
they never attempt to imitate folk instruments but play with a full-out, classically cultivated tone, but one that never smooths over the rough edges. The best of two worlds?

About

A program of imaginative arrangements of Hungarian compositions for violin and violoncello featuring works by Kodály, Seiber, Bartók, Ligeti and others. These are rousing, spirited interpretations by Friedemann Eichhorn and Alexander Hülshoff. 2013 is the 90th anniversary of Ligeti’s birth.

Contents and tracklist

I. Allegro serioso, non troppo
Track length7:57
II. Adagio
Track length7:42
III. Maestoso e largamente - IV. Presto
Track length7:58
I. Molto sostenuto, un poco rubato
Track length4:05
II. Allegro misterioso
Track length8:17
I. Andante espressivo
Track length4:01
II. Con fuoco
Track length3:02
No. 26, Ugyan edes komamasszony… (Teasing song) [arr. F. Eichhorn and a. Hulshoff for violin and cello]
Track length0:24
No. 27, Santa tanc (Limping dance) [arr. F. Eichhorn and a. Hulshoff for violin and cello]
Track length0:24
No. 35, Ruten kolomejka (Ruthenian kolomejka) [arr. F. Eichhorn and a. Hulshoff for violin and cello]
Track length1:01
No. 33, Arataskor (Harvest song) [arr. F. Eichhorn and a. Hulshoff for violin and cello]
Track length1:36
No. 42, Arab dal (Arabian song) [arr. F. Eichhorn and a. Hulshoff for violin and cello]
Track length1:08
No. 28, Bankodas (Sorrow) [arr. F. Eichhorn and a. Hulshoff for violin and cello]
Track length2:23
No. 43, Pizzicato (Arr. F. Eichhorn and a. Hulshoff for violin and cello)
Track length0:54

Awards and reviews

December 2013

they never attempt to imitate folk instruments but play with a full-out, classically cultivated tone, but one that never smooths over the rough edges. The best of two worlds?
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