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Nino Machaidze: Arias & Scenes

Nino Machaidze (soprano), with Les Paysans

Orchestre national de France, Daniele Gatti

Machaidze is already an exciting if slightly shrill young coloratura

Nino Machaidze: Arias & Scenes

Nino Machaidze (soprano), with Les Paysans

Orchestre national de France, Daniele Gatti

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Machaidze is already an exciting if slightly shrill young coloratura

About

Nino Machaidze’s new recording for Sony Classical, “Arias & Scenes”, looks further ahead to the new roles she will sing in the future. Machaidze is joined by Orchestre national de France and their resident Maestro Daniele Gatti.

French repertoire has become a major part of Machaidze’s career and is represented in this recital with arias by Massenet, Bizet and Ambroise Thomas. Machaidze debuted the role of Thaïs last year alongside Plácido Domingo in the lead role of Athanaël in Seville. She will debut at the Vienna State Opera this June in the role of Juliette with Plácido Domingo conducting and Piotr Beczala as Roméo.

Since her momentous breakthrough replacing Anna Netrebko as Juliette alongside Rolando Villazon’s Roméo in Salzburg’s 2008 production of Roméo et Juliette (Gounod), Nino’s career has taken off.

In an astonishingly short amount of time she debuted at many of the world’s major opera houses, in the lead heroine-roles alongside some of the greatest singers of our time, including Plácido Domingo (Thaïs) , Vittorio Grigolo (Roméo et Juliette at both La Scala and LA Opera) and Juan-Diego Flórez (I Puritani) among others.

Contents and tracklist

Awards and reviews

August 2013

Machaidze is already an exciting if slightly shrill young coloratura

Awards Issue 2013

The voice accommodates a range of expression that encompasses the cynicism of Violetta's Act 1 scene in La traviata and the naivety in 'O mio babbiino caro' from Gianni Schicchi. Her vocal accuracy is considerably more assured than in her first arias disc...Technique rules her singing; dramatic concept is revealed only in intermittent flashes.

29th August 2013

Her characterisations are generalised, though her smoky tone makes her a particularly alluring Manon. A number of technical problems are apparent, however: trills are approximate, her high notes can turn alarmingly shrill and her diction is variable
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