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Gouvy - Symphony No. 4

Deutsche Radio Philharmonie, Jacques Mercier

Gouvy - Symphony No. 4
You can understand why Gouvy was such a hit in Leipzig while only gradually making any popular headway in Paris, but there is a good, firm talent at work here and the Deutsche Radio Philharmonie...

Gouvy - Symphony No. 4

Deutsche Radio Philharmonie, Jacques Mercier

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
You can understand why Gouvy was such a hit in Leipzig while only gradually making any popular headway in Paris, but there is a good, firm talent at work here and the Deutsche Radio Philharmonie...

About

This release concludes CPO’s Gouvy Edition which has featured symphonic works by this German-French composer.

Fellow composers such as Ambroise Thomas and Charles Gounod attended the Symphony No. 4 premiere in Paris, 1856, and were moved to amazed admiration. French critics approvingly wrote how ‘finely thought out, expansively developed, and clearly and brilliantly written’ the score was.

Contents and tracklist

I. Allegro
Track length10:23
II. Scherzo. Allegro vivace
Track length4:51
III. Intermezzo. Larghetto
Track length5:42
IV. Finale. Allegro con brio
Track length6:24
Ia. Variations. Andantino
Track length1:11
Ib. Var. 1
Track length1:05
Ic. Var. 2
Track length1:00
Id. Var. 3
Track length2:03
Ie. Var. 4
Track length0:58
If. Var. 5
Track length2:04
II. Rondo. Allegro deciso
Track length5:44
I. Grave - Moderato
Track length11:38
II. Adagio
Track length4:24
III. Alla breve
Track length5:43

Awards and reviews

August 2013

You can understand why Gouvy was such a hit in Leipzig while only gradually making any popular headway in Paris, but there is a good, firm talent at work here and the Deutsche Radio Philharmonie are persuasive advocates of his merits.

3rd October 2013

This disc has encouraged me to explore some other works by Gouvy and it might do the same for you. The performances under Jacques Mercier are strongly characterised and persuasive. Mercier knows this style well having recorded the other three volumes.
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