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Special offer. Hidden Handel

Ann Hallenberg (mezzo)

Il Complesso Barocco, Alan Curtis

Hidden Handel

Awards:

These are all arie aggiunte...and tell us as much about the singers of Handel's era as they do about the characters they played. For Hallenberg, there is an extra challenge as she adapts her...

Special offer. Hidden Handel

Ann Hallenberg (mezzo)

Il Complesso Barocco, Alan Curtis

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

Original price ($10.00) Reduced price $7.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

These are all arie aggiunte...and tell us as much about the singers of Handel's era as they do about the characters they played. For Hallenberg, there is an extra challenge as she adapts her...

About

The Handel arias and orchestral pieces on this disc span a narrow spectrum from the comparatively unfamiliar to the practically unknown. Nine of the twelve arias are recorded here for the first time, as is the D major March, HWV 416. The arias are mostly arie aggiunte, composed for insertion in later performances of existing operas to accommodate a different cast of singers. Some of these arias have come to light only recently or have previously been inadequately identified. The interspersed instrumental works were produced for purposes still uncertain. Yet, despite the sometimes shadowy origins of this music, it is all vintage Handel, and arias such as ‘La crudele lontananza’, ‘Sa perché pena il cor’ and ‘Farò così più bella’ rank among the composer’s most eloquent dramatic utterances.

The Swedish mezzo-soprano Ann Hallenberg has become established as one of Europe’s leading mezzo-sopranos. Her operatic repertoire includes a large number of roles by Rossini, Mozart, Gluck, Massenet, Handel, Vivaldi and Monteverdi. Equally at home on the concert platform, she frequently appears in concert halls and festivals throughout Europe and North America.

She has recorded more than 30 CDs and DVDs, most recently, with the Stavanger Symphony Orchestra conducted by Fabio Biondi, a CD of 'Arias for Marietta Marcolini' for Naïve [V5309].

"Having won plaudits in Handel and Vivaldi, Ann Hallenberg proves no less persuasive in bel canto...her even, gleaming tone, eloquence of prase and fluent, never mechanical coloratura give virtually unalloyed pleasure...few could equal her style, zest and coloratura brilliance." Richard Wigmore, Gramophone, Jan 2013

Contents and tracklist

Pirro e Demetrio, Act I: Sento prima le procelle
Track length6:15
Rinaldo, HWV 7 (1714-15 version): Act II: La crudele lontananza
Track length4:59
Pirro e Demetrio, Act I: No, non cosi severe
Track length3:08
Pirro e Demetrio, Act III: Vieni, o cara, e lieta in petto
Track length3:52
Ottone, re di Germania, HWV 15, Act I: Vinto e l'amor
Track length3:30
Rinaldo, HWV 7 (1717 version): Act II: Vieni, o caro, che senza il tuo core
Track length6:31
Act III: Accompanied Recitative: Io d'altro regno, che del cor di Muzio saro regina?
Track length0:59
Act III: Aria da capo: Dimmi, crudele Amore
Track length4:50
Amadigi di Gaula, HWV 11, Act I: Lusinga questo cor
Track length5:02
Act I: Recitative: Non lagrimate o miei seguaci
Track length0:31
Act I: Aria: Faro cosi piu bella
Track length5:27
Berenice, HWV 38, Act II: Le vicende della sorte (original version)
Track length4:24
Alessandro, HWV 21, Act II: Solitudini amate
Track length5:42

Awards and reviews

  • Opera
    September 2013
    Recording of the Month

July 2013

These are all arie aggiunte...and tell us as much about the singers of Handel's era as they do about the characters they played. For Hallenberg, there is an extra challenge as she adapts her sound to repertoire tailored to distinct and varied types of voice.

June 2013

No lovers of Handel or great Baroque singing should deny themselves the pleasure of this beautiful music sung by a great Handelian at the peak of her powers.

September 2013

Musicologically this is a fascinating collection, but more importantly its also a cracking good listen. Hallenburg’s is such a malleable instrument

10th May 2013

The majority of these performances are world premieres, Hallenberg deftly negotiating the vagaries of love and war and the whims of gods and sorcerers that furnish the narratives
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