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Kenneth Hesketh: Wunderkammer (konzert)

Royal Liverpool Philharmonic Orchestra, Ensemble 10/10, Christoph-Mathias Mueller, Clark Rundell

although Hesketh (b.1968) might not always manage the haunting uncanniness found in British contemporaries such as Oliver Knussen, George Benjamin or Thomas Ades, he rarely lapses into mere...

Kenneth Hesketh: Wunderkammer (konzert)

Royal Liverpool Philharmonic Orchestra, Ensemble 10/10, Christoph-Mathias Mueller, Clark Rundell

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
although Hesketh (b.1968) might not always manage the haunting uncanniness found in British contemporaries such as Oliver Knussen, George Benjamin or Thomas Ades, he rarely lapses into mere...

About

We are delighted to be releasing on NMC the first full-length CD devoted to the music of Liverpool-born Kenneth Hesketh.

The title work Wunderkammer(konzert) is a three movement chamber concerto which reflects the character of the wunderkammer, or Cabinet of Curiosities that flourished between the 16th to 18th centuries.

Graven Image is inspired by the medieval Memento Mori, a painting or sculpture which seeks to remind its owner of the brevity of life and At God Speeded Summer’s End uses melodic ideas influenced by the structure of Dylan Thomas's poem Prologue. In Thomas’ own words: ‘The first and last line rhyme; the second and last but one; and so on and so on. Why I ackrosticked myself like this, don’t ask me.’

Kenneth Hesketh began composing whilst a chorister at Liverpool Cathedral, later studying at the Royal College of Music. He attended Tanglewood in 1995 where he studied with Henri Dutilleux and was subsequently awarded a scholarship from the Toepfer Foundation at the behest of Sir Simon Rattle. He is now a professor at the Royal College of Music and honorary professor at Liverpool University.

Contents and tracklist

I. The Grand Ordo of Hephaestus' Children
Track length9:23
II. Karakuri in the Temple of Athene
Track length6:53
III. Escapements Within the Cartesian Machine
Track length5:50

Awards and reviews

July 2013

although Hesketh (b.1968) might not always manage the haunting uncanniness found in British contemporaries such as Oliver Knussen, George Benjamin or Thomas Ades, he rarely lapses into mere exoticism.

5th July 2013

The considerable surface complexity of his elaborate rhythmic is unfailingly refracted through a remarkably acute ear for sonority and colour allied with an obsessive preoccupation with textural transparency...a compelling panorama of Kenneth Hesketh’s works for major instrumental forces.
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