Special offer. Mozart: Keyboard Music Volume 4
Kristian Bezuidenhout [fortepiano Paul McNulty, Divisov, Czech Republic, 2009, after Anton Walter & Sohn, Vienna, 1805] From the collection of Alexander Skeaping A=430
this is undoubtedly another impressive instalment in Bezuidenhuit's Mozart cycle, with a particularly fine account of the C major Prelude and Fugue K394, and an individual approach to the unconventional...
Special offer. Mozart: Keyboard Music Volume 4
Kristian Bezuidenhout [fortepiano Paul McNulty, Divisov, Czech Republic, 2009, after Anton Walter & Sohn, Vienna, 1805] From the collection of Alexander Skeaping A=430
Purchase product
this is undoubtedly another impressive instalment in Bezuidenhuit's Mozart cycle, with a particularly fine account of the C major Prelude and Fugue K394, and an individual approach to the unconventional...
About
On volume four of his widely acclaimed traversal of Mozart's music for solo keyboard, fortepianist Kristian Bezuidenhout performs on an instrument by Paul McNulty, modeled on a Viennese original by Anton Walter & Sohn (c.1805). The program includes Piano Sonatas in D major K.311 and G major K.283 and the lovely Variations on 'Je suis Lindor' in E flat Major, K.354. As with the other volumes in this exceptional series, Bezuidenhout brings out colors and shadings in these works that are only possible when performed on a fortepiano.
Contents and tracklist
Awards and reviews
January 2013
this is undoubtedly another impressive instalment in Bezuidenhuit's Mozart cycle, with a particularly fine account of the C major Prelude and Fugue K394, and an individual approach to the unconventional set of variations on Je suis Lindor, K354...All in all, a rewarding disc.
CD Review 5th January 2013
Few players coax as much depth and detail from the fortepiano as this … [Bezuidenhout's] enviably high standard’s maintained
13th January 2013
the sound he produces is a constant pleasure. There is nothing remotely prissy or limited about these brilliant, forceful performances, in which even the most apparently routine passagework is alive with expression and meaning...everything is fresh and vivid. Minor Mozart, but not when played like this.
