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Sciarrino: Macbeth

Otto Katzameier (Macbeth) Anna Radziejewski (Lady Macbeth)

Volkalensemble NOVA, Klangforum Wein, Evan Christ

Sciarrino: Macbeth
The elusive soundworld, often on the edge of audibility, is instantly recognisable as Sciarrino's, a wonderfully consistent and compellingly obsessive creation that retains the power to shock...

Sciarrino: Macbeth

Otto Katzameier (Macbeth) Anna Radziejewski (Lady Macbeth)

Volkalensemble NOVA, Klangforum Wein, Evan Christ

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2 CDs

$28.50

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$20.25

320 kbps, MP3

$15.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
The elusive soundworld, often on the edge of audibility, is instantly recognisable as Sciarrino's, a wonderfully consistent and compellingly obsessive creation that retains the power to shock...

About

Unspeakable evil in the nameless acts – col legno proudly presents Salvatore Sciarrino’s Macbeth, recorded at the 2011 Salzburg Festival, released for the first time on CD. The infiltration of microorganisms of sound, restless reticence, ephemeral slitherings, whisperings, whizzings…all of which develops into an intensity that only the great Italian master is capable of creating.

Contents and tracklist

Atto I Scena I (Live)
Track length5:50
Atto I Scena II (Live)
Track length10:02
Atto I Scena III (Live)
Track length6:09
Atto I Scena IV (Live)
Track length10:10
Atto II Scena I (Live)
Track length9:45
Atto II Scena II (Live)
Track length10:48
Atto III Scena I (Live)
Track length22:09
Atto III Scena II (Live)
Track length17:42
La perfidia (intermezzo) [Live]
Track length1:31
Atto III Scena III (Live)
Track length4:55
Congedo (Live)
Track length8:16

Awards and reviews

29th November 2012

The elusive soundworld, often on the edge of audibility, is instantly recognisable as Sciarrino's, a wonderfully consistent and compellingly obsessive creation that retains the power to shock and surprise...This wonderfully supple, controlled performance...emphasises both the strange, ethereal beauty of Sciarrino's world, and the dramatic coherence of the 100-minute opera. It's utterly compelling
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