Historic Mahler & Bruckner
Anny Felbermayer (soprano) & Sonja Dreksler (alto)
Vienna Symphony Orchestra, Austrian Radio Choir, F.Charles Adler
the courage, enterprise and vision of musicians such as Charles Adler in presenting these scores cannot be overstated. There may be shortcomings in these performances – or, at least, shortcomings...
Historic Mahler & Bruckner
Anny Felbermayer (soprano) & Sonja Dreksler (alto)
Vienna Symphony Orchestra, Austrian Radio Choir, F.Charles Adler
Purchase product
the courage, enterprise and vision of musicians such as Charles Adler in presenting these scores cannot be overstated. There may be shortcomings in these performances – or, at least, shortcomings...
About
A conducting student of Mahler, F. Charles Adler conducts the Vienna Symphony Orchestra in works by Anton Bruckner: Symphony No. 3 in D minor (WAB 103) [1890 version first published by Theodor Rättig]. Live recording, 8 April 1953 from the Wiener Konzerthausgesellschaft, Gustav Mahler: Symphony No. 2 in C-minor, “Resurrection,” with Anny Felbermayer, sop.; Sonja Dreksler, alto; Austrian Radio Choir. Original production by ORF [Austrian Radio], studio recording, 29 March 1956. Both recordings are previously unissued.
Contents and tracklist
- Wiener Symphoniker
- F. Charles Adler
- Recorded: 8 April 1953
- Recording Venue: Wiener Konzerthausgesellschaft, Austria
- Recorded: 8 April 1953
- Recording Venue: Wiener Konzerthausgesellschaft, Austria
Work length1:28:43
This work is only available as an album download.
- Anny Felbermayer, Sonja Draksler
- Chor des Österreichischen Rundfunks, Wiener Symphoniker
- F. Charles Adler
- Recorded: 29 March 1956
I. Allegro maestoso
Track length23:55
This track is only available as an album download.
V. Finale: Im Tempo des Scherzos
Track length21:18
This track is only available as an album download.
Awards and reviews
3rd May 2013
the courage, enterprise and vision of musicians such as Charles Adler in presenting these scores cannot be overstated. There may be shortcomings in these performances – or, at least, shortcomings as judged by today’s standards...However, there’s also a great deal to commend these readings and they are well worth hearing. Music & Arts deserve our gratitude
