This classy performance [of the Reber] makes an engaging case for an unremarkable work...Chamayou's way with Liszt's First Concerto, too, is worth the wait. His choice of period piano, besides a surprising degree of power and lunch, also has a beautiful upper-register quality that seems to overlay the whole work with a silvery sheen.

The orchestra’s period instruments add punch and pungent colour, as they to a beguiling performance of Berlioz’s Reverie et Caprice with the violinist Julien Chauvin …With a warmer, mellower sonority than that of a 21st-century grand, the Erard also possesses power and depth that Chamayou harnesses alongside his sparkling virtuosity.