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Dvořák: Requiem, Op. 89

Simona Saturova (soprano), Jana Sykorova (mezzo-soprano), Tomas Cerny (tenor), Peter Mikulas (bass)

Brno Philharmonic Orchestra, Czech Philharmonic Choir Brno, Petr Fiala

Dvořák: Requiem, Op. 89

Dvořák: Requiem, Op. 89

Simona Saturova (soprano), Jana Sykorova (mezzo-soprano), Tomas Cerny (tenor), Peter Mikulas (bass)

Brno Philharmonic Orchestra, Czech Philharmonic Choir Brno, Petr Fiala

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

About

Dvorak’s gift for orchestration, harmonic treatment, and simple sincerity are apparent in his Requiem. The work feels much less liturgical than others of its genre, though it is still an uplifting expression of faith. + Despite the fact that the work was written as a Requiem for England, Dvorak’s national feeling can still be easily heard, especially in the opening of the fugue which relates to a Czech hymn from the Gothic period. + This work has been influential on many other composers after Dvorak. The opening motif has been quoted many times by Czech composers.

Contents and tracklist

Requiem aeternam (Vocal Quartet, Chorus)
Track length10:25
Graduale (Soprano, Chorus)
Track length4:46
Dies irae (Chorus)
Track length2:28
Tuba mirum (Alto, Tenor, Bass, Chorus)
Track length8:48
Quid sum miser (Vocal Quartet, Chorus)
Track length6:23
Recordare, Jesu pie (Vocal Quartet)
Track length6:58
Confutatis maledictis (Chorus)
Track length4:25
Lacrimosa (Vocal Quartet, Chorus)
Track length6:17
Offertorium (Vocal Quartet, Chorus)
Track length12:01
Hostias (Vocal Quartet, Chorus)
Track length11:01
Sanctus (Vocal Quartet, Chorus)
Track length5:19
Pie Jesu (Vocal Quartet, Chorus)
Track length4:38
Agnus Dei (Vocal Quartet, Chorus)
Track length10:45
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