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Haydn: Die Tageszeiten

The Day Trilogy - Symphonies Nos. 6, 7 & 8

La Petite Bande, Sigiswald Kuijken

Haydn: Die Tageszeiten

Awards:

these readings by a line-up of around 15 players - which seems to have been the size of Haydn's orchestra in his first years in Eisenstadt - sound freshly thought out, with bright solo timbres,...

Haydn: Die Tageszeiten

The Day Trilogy - Symphonies Nos. 6, 7 & 8

La Petite Bande, Sigiswald Kuijken

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

these readings by a line-up of around 15 players - which seems to have been the size of Haydn's orchestra in his first years in Eisenstadt - sound freshly thought out, with bright solo timbres,...

About

‘The Time of Day’ provided Haydn with an inspiration to compose and his Symphony numbers 6, 7 & 8 collectively became known as The Day Trilogy.

Celebrating their 30th anniversary, Sigiswald Kuijken and La Petite Bande are highly respected exponents of this repertoire and this recording is no exception to their consistently high standards.

Carrying on with their ‘one instrument to a part’ policy, the recording is presented in a wonderfully light and airy way, allowing the music to shine through.

Contents and tracklist

I. Adagio - Allegro
Track length6:04
II. Adagio - Andante - Adagio
Track length7:04
III. Menuet
Track length4:10
IV. Finale: Allegro
Track length6:02
I. Adagio - Allegro
Track length7:53
II. Recitativo: Adagio - Allegro
Track length2:32
II. Adagio
Track length6:02
III. Menuetto
Track length3:41
IV. Finale: Allegro
Track length4:44
I. Allegro molto
Track length5:49
II. Andante
Track length8:03
III. Menuetto
Track length4:17
IV. La tempesta: Presto
Track length5:29

Awards and reviews

  • Gramophone Magazine
    March 2013
    Editor's Choice

April 2013

these readings by a line-up of around 15 players - which seems to have been the size of Haydn's orchestra in his first years in Eisenstadt - sound freshly thought out, with bright solo timbres, plenty of expressive affect, and lively yet unrushed tempos

March 2013

Haydnistas will need to know that these performances are not harpsichord-accompanied. Tempi are moderate, which is not only a boon in the minuets but enables the solo instruments to speak with full tone in the finales...If you don't have [Haselböck's recording]...you'll be hard-pressed to find a finer period-instrument performance than this.
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