Beethoven: Diabelli Variations
Daniel-Ben Pienaar (piano)
Ben-Pienaar certainly holds his own in these gentle, smiling, quirky pieces...[In the Diabellis] Ben-Pienaar is excellent, though he is less well recorded than he should be
Beethoven: Diabelli Variations
Daniel-Ben Pienaar (piano)
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Ben-Pienaar certainly holds his own in these gentle, smiling, quirky pieces...[In the Diabellis] Ben-Pienaar is excellent, though he is less well recorded than he should be
About
Following critically acclaimed traversals of Mozart’s Sonatas and J.S. Bach’s groundbreaking Goldberg Variations, Daniel-Ben Pienaar scales the heights of Beethoven’s monumental Diabelli Variations, complemented by the six Bagatelles, Op. 126.
Daniel-Ben Pienaar “makes the Goldbergs sound more like that other supreme set of variations, Beethoven’s Diabelli Variations, than any other pianist has.” An appropriate observation from BBC Music Magazine, as Pienaar follows his acclaimed recording of Bach’s groundbreaking Goldberg Variations (AV2235), by scaling the heights of Beethoven’s monumental 33 Variations on a waltz by Anton Diabelli. Variously called “the greatest set of variations ever written” and “the greatest of all piano works”, this late work is one of Beethoven’s most adventurous, suitably challenging for Pienaar’s technical wizardry and probing intellect. He compliments the set with Beethoven’s last great work for solo piano, the Bagatelles, Op. 126, which themselves are no mere trifles. As with his previous releases, Pienaar contributes in-depth notes which delve deeply into the music’s enigmas.
Combined with his sometimes provocative, always enlightening interpretations, Pienaar has once again created a highly satisfying release for the committed classical listener.
Contents and tracklist
Awards and reviews
Christmas 2012
Ben-Pienaar certainly holds his own in these gentle, smiling, quirky pieces...[In the Diabellis] Ben-Pienaar is excellent, though he is less well recorded than he should be
11th November 2012
the young South African makes light of its technical rigours and springs plenty of interpretative surprises...Pienaar skates with brilliant insouciance through tantalisingly brief prestos, and through scherzando and vivace variations, while giving due weight and depth to the slowest sections