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Handel: Messiah

Karina Gauvin (soprano), Robin Blaze (countertenor), Rufus Müller (tenor) & Brett Polegato (baritone)

Tafelmusik Baroque Orchestra & Chamber Choir, Ivars Taurins

Handel: Messiah
Time and again I was impressed by exquistely shaded string-playing...Blaze sings with authority and agility when 'the refiner's fire' heats things up...Hushed strings and Brett Polegato's unaffected...

Handel: Messiah

Karina Gauvin (soprano), Robin Blaze (countertenor), Rufus Müller (tenor) & Brett Polegato (baritone)

Tafelmusik Baroque Orchestra & Chamber Choir, Ivars Taurins

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

$20.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Time and again I was impressed by exquistely shaded string-playing...Blaze sings with authority and agility when 'the refiner's fire' heats things up...Hushed strings and Brett Polegato's unaffected...

About

Tafelmusik Baroque Orchestra and Chamber Choir present an intimate and stirring performance of the baroque masterpiece Handel’s Messiah. This 2-CD recording of the full score on period instruments features a stellar cast of soloists. Tafelmusik presents this baroque masterpiece with the spirit and vitality of Handel’s own 18th-century productions. “Superhuman”, “spot-on”, “crisp” and “inspired” are just a few of the words critics have used to describe Tafelmusik’s Messiah. A perennial favourite with audiences and critics alike, Tafelmusik’s Messiah has garnered glowing reviews year after year. “I cannot remember a Messiah presentation as uniformly ‘spot-on’ as this year’s by Ivars Taurins’ Tafelmusik Chamber Choir and Baroque Orchestra.” (The Globe and Mail).

Contents and tracklist

No. 44, Hallelujah
Track length4:02

Awards and reviews

February 2013

Time and again I was impressed by exquistely shaded string-playing...Blaze sings with authority and agility when 'the refiner's fire' heats things up...Hushed strings and Brett Polegato's unaffected baritone are eloquently evocative of stillness in 'For behold'...even if the choruses do not quite offer a consistently memorable impact, this is one of the best-played recordings of Messiah.

Early Music Today

Jeanne Lamon unfailingly [draws] warm and mellifluous sounds from strings and wind, alike. It is unfussy, allowing the music to do its own persuading and is mainly complemented by affecting solo vocal and ripieno contributions.
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