Sharon Bezaly: Pipe Dreams
Sharon Bezaly (flute)
Australian Chamber Orchestra, Richard Tognetti (artistic director & lead violin)
Bezaly plays the solo parts with great sympathy for their idioms, phenomenal virtuosity, perfect intonation even in the highest register, and warm tone. Her warmth is matched by the soloists...
Sharon Bezaly: Pipe Dreams
Sharon Bezaly (flute)
Australian Chamber Orchestra, Richard Tognetti (artistic director & lead violin)
Purchase product
Bezaly plays the solo parts with great sympathy for their idioms, phenomenal virtuosity, perfect intonation even in the highest register, and warm tone. Her warmth is matched by the soloists...
About
Sharon Bezaly here performs with the eminent Australian Chamber Orchestra and Richard Tognetti in a programme which takes its name from the Australian composer Carl Vine’s work for flute and orchestra.
Pitangus Sulphuratus from the Venzuelan composer Adina Izarra’s concerto – composed in 1987, but with a new cadenza written especially for Bezaly – depicts a yellow and brown bird found in the Caracas valley. Its call appears throughout the piece
The tango makes an almost dreamlike appearance in Flute Concerto with Tango, which José Serebrier has dedicated to Sharon Bezaly.
Impresiones de la Puna embodies the dream of an eighteen-year-old Alberto Ginastera to find a truly Argentinean musical language.
Contents and tracklist
- Sharon Bezaly
- Australian Chamber Orchestra
- Richard Tognetti
- Recorded: October 2009
- Recording Venue: Eugene Goossens Hall, ABC Centre, Sydney, Australia
- Sharon Bezaly
- Australian Chamber Orchestra
- Richard Tognetti
- Recorded: October 2009
- Recording Venue: Eugene Goossens Hall, ABC Centre, Sydney, Australia
- Sharon Bezaly
- Australian Chamber Orchestra
- Richard Tognetti
- Recorded: October 2009
- Recording Venue: Eugene Goossens Hall, ABC Centre, Sydney, Australia
- Sharon Bezaly
- Australian Chamber Orchestra
- Richard Tognetti
- Recorded: October 2009
- Recording Venue: Eugene Goossens Hall, ABC Centre, Sydney, Australia
Awards and reviews
February 2013
Bezaly plays the solo parts with great sympathy for their idioms, phenomenal virtuosity, perfect intonation even in the highest register, and warm tone. Her warmth is matched by the soloists from within the Australian Chamber Orchestra...Altogether, the four atmospheric works and Bezaly's performances amount to an impressive demonstration of the possibilities of the flute.
