Chopin: 24 Preludes
Maurizio Pollini (piano)
His sense of phrasing, structure and pacing is undimmed...There are other accounts of the 24 Preludes that are more impassioned, more vividly imagined and coloured, but few are more pure or...
Chopin: 24 Preludes
Maurizio Pollini (piano)
Purchase product
His sense of phrasing, structure and pacing is undimmed...There are other accounts of the 24 Preludes that are more impassioned, more vividly imagined and coloured, but few are more pure or...
About
Master pianist Maurizio Pollini turned 70 on January 5th, 2012 and DG are celebrating this milestone birthday with a new album of breath-taking Chopin. Pollini’s Chopin recordings are his best-sellers – the complete Nocturnes, released in 2005, have sold more than 100,000 CDs to date.
Chopin: Preludes is a birthday programme of newly recorded solo works: Preludes op.28, four Mazurkas op.30, two Nocturnes op.27, and the Scherzo no.2 op.31. Pollini often feature Chopin’s works in his solo recitals – The Guardian raved, “... he still plays Chopin with the ease that floored even Rubinstein more than 50 years ago ...”
Contents and tracklist
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
- Maurizio Pollini (piano)
- Recorded: 2011-05-07
- Recording Venue: Herkules Saal, Munich
Awards and reviews
January 2013
His sense of phrasing, structure and pacing is undimmed...There are other accounts of the 24 Preludes that are more impassioned, more vividly imagined and coloured, but few are more pure or devoted. Recorded sound is excellent. The fingers are not entirely all they used to be in terms of nimbleness, but that isn't too intrusive.
1st November 2012
The best of it, especially the B flat minor Scherzo, is superb, the virtuosity effortless, the grip on the formal structure utterly secure, but elsewhere...there's sometimes a chilly relentlessness about the playing, an impatience almost, that keeps the music at a distance.