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Karina Gauvin: Prima Donna

Karina Gauvin (soprano)

Arion Baroque Orchestra, Alexander Weimann (director/harpsichord)

Karina Gauvin: Prima Donna
Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore...

Karina Gauvin: Prima Donna

Karina Gauvin (soprano)

Arion Baroque Orchestra, Alexander Weimann (director/harpsichord)

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Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore...

About

• Canadian superstar soprano Karina Gauvin pays tribute to baroque diva Anna Maria Strada del Pò, singing rarities by Vinci, Vivaldi and some of the greatest Handel arie di bravura. Like Strada del Pò in her prime, Miss Gauvin sings this repertoire with powerful expression and brilliant technique, in particular, the trills for which Strada del Pò was renowned. More than thirteen opera roles were created by Handel for Strada del Pò (including Sosarme, Orlando, and Alcina). Strada del Pò’s talent and style may have influenced the composer’s work as much as he contributed to the vocal and dramatic development of the prima donna in the first decades of the 18th century.

• Karina Gauvin has impressed audiences and critics the world over with her luscious timbre, profound musicality and wide vocal range. The Globe and Mail calls her “one of the dream sopranos of our time.” The Sunday Times in London also wrote: “Her glinting soprano, bright-edged yet deliciously rounded and sensual, is used with rare understanding for character... ”

• Arion Baroque Orchestra, founded in 1981, is Quebec’s only early music orchestra performing on period instruments and is one of the most renowned early music ensembles in North America. Conductor Alexander Weimann has traveled the world as member of Tragicomedia, as guest of Freiburger Barockorchester, Gesualdo Consort, Tafelmusik, and as music director of Les Voix Baroques and Le Nouvel Opéra. As guest conductor, he has led the Portland Baroque Orchestra, Les Violons du Roy and the symphony orchestras in Halifax and Victoria. He is currently music director of the Pacific Baroque Orchestra in Victoria (B.C.).

Contents and tracklist

Act I: Aria: Scherza in mar la navicella mentre ride aura seconda
Track length5:24
Act II: Non potra dirmi ingrata
Track length3:55
Act II: Verdi piante, erbette liete
Track length6:35
Tortorella se rimira
Track length4:38
II. Largo
Track length4:04
Act I: Aria: Dite pace, e fulminate, crudi Cieli!
Track length5:26
Act II: Aria: Addio caro. Tu ben sai
Track length3:51
Act III: Da te parto: ma concedi
Track length5:13
Overture
Track length4:07
Act II: Aria: Ah! Ruggiero crudel
Track length2:33
Act II: Aria: Ombre pallide, lo so, mi udite
Track length6:08
Act I: Si, son quella!
Track length7:13
II. Grave
Track length1:24
Act III: Aria: Ah! mio cor
Track length10:31
Act I: Arioso: Care selve, ombre beate
Track length3:31

Awards and reviews

February 2013

Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore sensitive to textual nuance, bringing expressive subtlety to her chosen arias...The excellent Arion Orchestre Baroque offers sympathetic support throughout
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