The wind ensemble repertory has a rich history and a vibrant contemporary presence. Donald Grantham, for example, evokes gospel music of the 1920s and ’30s in Starry Crown, which draws on the earthy vitality of call-andresponse sermons. Steven Bryant’s Ecstatic Waters reaches forward to present a pulsating narrative of exuberance, contradiction and subtle dialogue. Gordon Jacob wrote two series of settings of Old Wine In New Bottles in which he took old English settings and clothed them in his zesty and witty colours. To end, we have the songful lyricism of Carter Penn’s Hold This Boy and Listen.