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Schubert: String Quartets Nos. 13 & 14

Doric String Quartet

Schubert: String Quartets Nos. 13 & 14
The Doric Quartet play with passion, but there is relaxation, even wit, in both these works, and the Doric seem to be eager to stress the prevailing darkness at the expense of warmth and lyricism,...

Schubert: String Quartets Nos. 13 & 14

Doric String Quartet

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The Doric Quartet play with passion, but there is relaxation, even wit, in both these works, and the Doric seem to be eager to stress the prevailing darkness at the expense of warmth and lyricism,...

About

On this new release, the Doric String Quartet turns to the music of Franz Schubert. It is the Quartet’s fifth release for Chandos, and the discography has gone from strength to strength. MusicWeb International said of the recent Korngold release (CHAN10707): ‘The Doric Quartet seem to have a Midas touch, and any repertoire they commit to disc comes out sparkling’. Their Schumann release (CHAN10692) was ‘Recording of the Month’ in both Gramophone and BBC Music Magazine.

In March 1824, despite describing himself as ‘the most unhappy and wretched creature in the world’, Schubert completed not only the great Octet, but also the two String Quartets recorded here.

The String Quartet in D minor is considered the greatest of Schubert’s late quartets, mainly on account of its raw emotional honesty, which reaches an almost unendurable pitch in the second movement, a set of variations based on Schubert’s song Der Tod und das Mädchen. All four movements are driven by extensively repeated rhythmic figures, reminiscent of the musical style of Schubert’s great idol, Beethoven.

Full of Schubertian ambivalence, the String Quartet in A minor is a deeply intimate work. The opening, expressing brooding sadness, is played by the first violin over a restless accompaniment, and subsequently interrupted by flurries of almost manic energy. In the second movement, Schubert ‘borrowed’ the main melody from the second Entr’acte of his incidental music to the play Rosamunde, Fürstin von Zypern (1823) by Wilhelmine von Chézy.

Contents and tracklist

I. Allegro ma non troppo
Track length13:03
II. Andante
Track length6:06
III. Menuetto. Allegretto
Track length7:13
IV. Allegro moderato
Track length7:13
I. Allegro
Track length15:02
II. Andante con moto
Track length13:04
III. Scherzo. Allegro molto
Track length3:34
IV. Presto
Track length8:33

Awards and reviews

December 2012

The Doric Quartet play with passion, but there is relaxation, even wit, in both these works, and the Doric seem to be eager to stress the prevailing darkness at the expense of warmth and lyricism, which is so notable in the A minor Quartet. They play with notably little vibrato, so the impression of coolness is increased.

October 2012

The Dorics have enormous flair for this kind of music, getting comfortably under the skin of music written by Schubert when he was about the same as their average age and displaying a similar degree of maturity and insight

23rd September 2012

imaginative and exciting...The A minor’s opening shows the Doric’s alertness to the quintessentially Schubertian combination of nervous, obsessive rhythm and songlike melodic lines...The D minor is very fine, culminating in a tingling presto finale whose whispered, ghostly pianissimos make the sudden outbursts all the more ferocious.
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