Handel: Alessandro, HWV21
Max Emanuel Cencic (Alessandro), Karina Gauvin (Lisaura), Julia Lezhneva (Roxana), Xavier Sabata (Tassile), Juan Sancho (Leonato)
Armonia Atenea, George Petrou
Awards:
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BBC Music Magazine, Disc of the month
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Diapason d’Or de l’Année, 2013, Winner - Opéra baroque
These discs should come with an asbestos slipcase, so incendiary is the performance they convey...Cencic is imperious hot-bloodedness personified...perhaps best of all is Karina Gauvin's utterly...
Handel: Alessandro, HWV21
Max Emanuel Cencic (Alessandro), Karina Gauvin (Lisaura), Julia Lezhneva (Roxana), Xavier Sabata (Tassile), Juan Sancho (Leonato)
Armonia Atenea, George Petrou
Purchase product
Awards:
-
BBC Music Magazine, Disc of the month
-
Diapason d’Or de l’Année, 2013, Winner - Opéra baroque
These discs should come with an asbestos slipcase, so incendiary is the performance they convey...Cencic is imperious hot-bloodedness personified...perhaps best of all is Karina Gauvin's utterly...
About
Handel’s ninth major opera for London, Alessandro was written as a showcase for the “Rival Queens”, the two famous Italian sopranos – Francesca Cuzzoni and Faustina Bordoni – whose supposed enmity, both personal and professional, not only generated good publicity for Handel’s latest opera but also added extra dramatic frisson to the two divas’ jealous clashes on stage.
Still something of a rarity even in this heyday of the Handel revival, Alessandro has only ever been recorded twice before over the past 30 years, and never previously with such a starry trio of singers in the three lead roles.
Marking the start of an exciting new partnership with the sensational Croatian counter-tenor Max Emanuel Cencic (and his company Parnassus Arts) that will involve both solo and ensemble recordings, this new recording stars Cenèiæ himself as Alexander the Great (a role originally sung by the legendary castrato Senesino), with acclaimed French Canadian soprano Karina Gauvin as the Scythian princess Lisaura, and the sensational young Russian soprano Julia Lezhneva – making her debut appearance as Decca’s latest exciting solo signing – in the role of Roxana, the Persian princess who finally wins the conqueror’s heart.
Recorded at the Megaron concert hall in Athens, this new recording of Handel’s classical epic features the period instruments of Armonia Atenea conducted by George Petrou, the brilliant young Baroque specialist whose previous recordings of Handel operas (Oreste, Arianna in Creta, Tamerlano, Giulio Cesare and the pasticcio Alessandro Severo) have won numerous international awards.
Contents and tracklist
- Armonia Atenea
- George Petrou
- Recorded: 2011-09-15
- Recording Venue: Dimitris Metropoulos Hall, Athens
- Karina Gauvin (soprano), Max Emanuel Cenčić (countertenor), In-Sung Sim (bass), Juan Sancho (tenor), Julia Lezhneva (soprano), Xavier Sabata (contralto), Vassily Koroshev (countertenor)
- The City Of Athens Choir, Armonia Atenea
- George Petrou
- Recorded: 2011-09-15
- Recording Venue: Dimitris Metropoulos Hall, Athens
- Vassily Koroshev (countertenor), Max Emanuel Cenčić (countertenor), Julia Lezhneva (soprano), Xavier Sabata (contralto), Karina Gauvin (soprano), Juan Sancho (tenor), In-Sung Sim (bass)
- The City Of Athens Choir, Armonia Atenea
- George Petrou
- Recorded: 2011-09-15
- Recording Venue: Dimitris Metropoulos Hall, Athens
- Karina Gauvin (soprano), In-Sung Sim (bass), Juan Sancho (tenor), Julia Lezhneva (soprano), Max Emanuel Cenčić (countertenor), Xavier Sabata (contralto), Vassily Koroshev (countertenor)
- Armonia Atenea, The City Of Athens Choir
- George Petrou
- Recorded: 2011-09-15
- Recording Venue: Dimitris Metropoulos Hall, Athens
Spotlight on this release
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Max Cencic introduces his new opera recording on Decca Classics - Handel's inimitable Alessandro -
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Max Cencic talks to Katherine Cooper of Presto Classical about the role of Alessandro
Awards and reviews
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BBC Music MagazineDisc of the month
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Diapason d’Or de l’Année2013Winner - Opéra baroque
Christmas 2012
These discs should come with an asbestos slipcase, so incendiary is the performance they convey...Cencic is imperious hot-bloodedness personified...perhaps best of all is Karina Gauvin's utterly disarming Lisaura, her coloratura dazzling, her bright soprano full of personality...Just as thrilling is the visceral playing...Pert and incisive, the overture crackles with energy...A revelation.
December 2012
Petrou offers panache and fizzy unpredictablity...[Cencic] is clearly not going to play second fiddle to his rival queens...This is an essential purchase just for the infectiously joyful performance of Rossane's 'Brilla nell'alma'...Armonia Atenea's playing is refreshingly free from formulaic complacency.