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Brahms: Serenades

Philharmonia Baroque Orchestra, Nicholas McGegan

Brahms: Serenades
The principal virtues in this coupling concern clarity (especially with regard to inner voices) and musical intelligence...These performances are interesting, even instructive to hear but lack...

Brahms: Serenades

Philharmonia Baroque Orchestra, Nicholas McGegan

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The principal virtues in this coupling concern clarity (especially with regard to inner voices) and musical intelligence...These performances are interesting, even instructive to hear but lack...

About

“If Brahms had called his enchanting Serenade in D major a symphony—and he almost did—we would be hearing it all the time.” (Michael Steinberg, annotator)

Music Director Nicholas McGegan and Philharmonia Baroque Orchestra bring to life the depth and brilliance of Brahms’ two Serenades in this recording on historically accurate instruments.

Recorded live at First Congregational Church, Berkeley, CA on March 10-11, 2012 (Serenade No. 2) and February 13-14, 2010 (Serenade No. 1).

Contents and tracklist

I. Allegro moderato (Live)
Track length8:53
II. Scherzo. Vivace (Live)
Track length2:52
III. Adagio non troppo (Live)
Track length7:55
IV. Quasi menuetto (Live)
Track length5:18
V. Rondo. Allegro (Live)
Track length6:07
I. Allegro molto (Live)
Track length12:57
II. Scherzo. Allegro non troppo (Live)
Track length7:52
III. Adagio non troppo (Live)
Track length14:29
IV. Menuettos I & II (Live)
Track length4:04
V. Scherzo. Allegro (Live)
Track length2:52
VI. Rondo. Allegro (Live)
Track length6:20

Awards and reviews

February 2013

The principal virtues in this coupling concern clarity (especially with regard to inner voices) and musical intelligence...These performances are interesting, even instructive to hear but lack the element of interpretative character needed to bring these adorable works fully to life.

21st October 2012

Brahms’s serenades are something of a curiosity...Even McGegan’s period instruments can’t disguise some overthick scoring. No. 2 is a mixed bag, but No. 1 is a delight, and comes fresh as paint in this joyous live recording.
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