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Respighi: Violin Sonatas & Pieces

Tanja Becker-Bender (violin) & Péter Nagy (piano)

you're unlikely to find more sympathetic and committed performances than these: Tanja Becker-Bender's phrasing of Respighi's long lines and her range and subtlety of colour give both Sonatas...

Respighi: Violin Sonatas & Pieces

Tanja Becker-Bender (violin) & Péter Nagy (piano)

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you're unlikely to find more sympathetic and committed performances than these: Tanja Becker-Bender's phrasing of Respighi's long lines and her range and subtlety of colour give both Sonatas...

About

Respighi’s orchestral music is loved for its lavish, operatic ‘fireworks’, its pomp and circumstance. This recording of his music for violin and piano demonstrates a more tender and intimate side to the composer, and also shows what a master he was of melody. Respighi had many influences from all over Europe and an enthusiasm for German music which perhaps explains the pleasing echoes of Brahms and Schumann among others. The sonatas, especially the later in B minor, are important works of nineteenth-century chamber music, and gems such as the Valse caressante and the Serenata are suffused with lyrical elegance which is perfectly carried off by the wonderful violinist Tanja Becker-Bender.

Contents and tracklist

I. Lento – Allegro – Assai animato
Track length8:55
II. Adagio
Track length6:56
III. Scherzo: Allegretto
Track length4:25
I. Romanza: Andante mosso
Track length3:27
II. Aubade: Vivace
Track length3:20
III. Madrigale: Andantino
Track length4:18
IV. Berceuse: Lentamente
Track length2:58
V. Humoresque: Allegretto vivace
Track length5:21
I. Moderato
Track length9:04
II. Andante espressivo
Track length8:25
III. Passacaglia: Allegro moderato ma energico
Track length7:49
IV. Valse caressante: Tempo lento di Valzer
Track length4:01
V. Serenata: Andante calmo
Track length3:11

Awards and reviews

November 2012

you're unlikely to find more sympathetic and committed performances than these: Tanja Becker-Bender's phrasing of Respighi's long lines and her range and subtlety of colour give both Sonatas every chance to make their mark. She is admirably partnered by Peter Nagy, who makes the best possible case for the B minor's sometimes ponderous piano writing.

Awards Issue 2012

a revelatory programme, performed with rare panache.
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