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William Kraft: An Encounter

Sheryl Staples (violin), Delores Stevens (piano), Barry Centanni (percussion), Jeffrey Parsons (harp), Terry Longshore (percussion), Gloria Cheng (piano), Sharon Leventhal (violin), Jeremy Haladyna (piano), Todd Barton (electronic valve instrument), Terry Longshore (Roland Handsonic)

California...

William Kraft: An Encounter
Kraft is nothing if not ecelectic, but a distinct personality is always at play here. In that respect, he resembles his hero Stravinsky even as he does not mimic his music. Perhaps that is the...

William Kraft: An Encounter

Sheryl Staples (violin), Delores Stevens (piano), Barry Centanni (percussion), Jeffrey Parsons (harp), Terry Longshore (percussion), Gloria Cheng (piano), Sharon Leventhal (violin), Jeremy Haladyna (piano), Todd Barton (electronic valve instrument), Terry Longshore (Roland Handsonic)

California...

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Kraft is nothing if not ecelectic, but a distinct personality is always at play here. In that respect, he resembles his hero Stravinsky even as he does not mimic his music. Perhaps that is the...

About

Born in Chicago, William Kraft has had a long and active career as a composer, conductor, timpanist/percussionist and teacher. He is Professor Emeritus at the University of California, Santa Barbara, where he served for 11 years (1991-2002) as Chairman of the Composition Department and Corwin Professor of Music Composition. He is of that generation of American composers who came to prominence starting in the late 1940s and throughout the 1950s whose music is characterized by a distinct brashness, tinged with the energy of jazz and a definite sense of the dramatic. As an avid percussionist, many of the works which first brought him fame spotlight that part of the orchestra, and as director of the Los Angeles Percussion Ensemble, he premiered many now important works. This diverse collection, ranging from solo to orchestral works, exemplifies the wonderful range of this dynamic American composer.

Artists

Sheryl Staples (violin), Delores Stevens (piano), Barry Centanni (percussion), Jeffrey Parsons (harp), Terry Longshore (percussion), Gloria Cheng (piano), Sharon Leventhal (violin), Jeremy Haladyna (piano), Todd Barton (electronic valve instrument), Terry Longshore (Roland Handsonic)

California State University Wind Symphony, Mitchell Fennell

Contents and tracklist

quarter note = circa 60
Track length2:51
quarter note = circa 50
Track length2:48
quarter note = circa 76
Track length3:08
quarter note = circa 60
Track length4:52
April is the cruelest month
Track length2:45
Go, songs, for ended is our brief, sweet play
Track length2:49
Time and the bell have buried the day, the black cloud carries the sun away
Track length5:03

Awards and reviews

Kraft is nothing if not ecelectic, but a distinct personality is always at play here. In that respect, he resembles his hero Stravinsky even as he does not mimic his music. Perhaps that is the best homage of all.
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