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Copland: The Tender Land

Andrea Jones (soprano), Dawn Coon (contralto), Mary Hawkins (soprano), Benjamin Smolder (bass-baritone), Judson Perry (tenor), Michael Turay (baritone), Shederick Whipple (tenor), Sherri K. Phelps (mezzo-soprano), Eli Griggs (baritone), Charis Strange (soprano), Stacia Brock (vocals), Julia Gilreath...

Copland: The Tender Land

Copland: The Tender Land

Andrea Jones (soprano), Dawn Coon (contralto), Mary Hawkins (soprano), Benjamin Smolder (bass-baritone), Judson Perry (tenor), Michael Turay (baritone), Shederick Whipple (tenor), Sherri K. Phelps (mezzo-soprano), Eli Griggs (baritone), Charis Strange (soprano), Stacia Brock (vocals), Julia Gilreath...

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

About

By the early 1950s, Aaron Copland had become a skilled composer of dramatic music for the stage and screen, with five ballets and seven film scores to his credit. In fact, Copland judged his film work to have been "excellent preparation for operatic writing. At the time I was composing for films, I believed that it was a new form of dramatic music, related to opera, ballet and theatre music, and that it should be explored for its own unique possibilities".

Thus, all the elements were in place for Copland's consideration of a commission offered him by the League of Composers in 1952. They were seeking to follow up the enormous success of Gian Carlo Menotti's Amahl and the Night Visitors on NBC Television Theatre during the 1951 Christmas holidays with another television opera, again to be produced and broadcast by NBC.

When the opera was finished, NBC reneged on the production without offering any substantive reasons, and the completed opera, nearly two years in the making would have remained unperformed, had not the New York City Center Opera decided to present the premiere of this prominent composer's work. However, the cavernous space of City Center dwarfed the intimate television opera. The result was a lukewarm initial response from the critics and crowds. Basically the music was praised and the libretto was criticized.

As the years passed, many realized that the scope of The Tender Land is perfect for smaller budgets and budding talents. Copland himself acknowledged that a college production is perhaps the most congenial atmosphere for this opera.

How pleased we are to be able to present this wonderful recording by the University of Kentucky Opera Theatre. Accompanied by the full orchestra, conducted by the fine American conductor, Kirk Trevor, it is marvelous.

Artists

Andrea Jones (soprano), Dawn Coon (contralto), Mary Hawkins (soprano), Benjamin Smolder (bass-baritone), Judson Perry (tenor), Michael Turay (baritone), Shederick Whipple (tenor), Sherri K. Phelps (mezzo-soprano), Eli Griggs (baritone), Charis Strange (soprano), Stacia Brock (vocals), Julia Gilreath (vocals), Lindsay Hathaway (vocals), Margaret Anne Shelton (vocals), Tara Anderson (vocals)

Bohuslav Martinu Philharmonic Orchestra, Kirk Trevor

Contents and tracklist

Prelude, Act 1
Track length1:39
Ma Moss: Two little bits of metal
Track length3:04
Beth: The package from Chicago
Track length5:18
Beth: Did you ever have a dress
Track length3:31
Scene 3, Introduction
Track length5:18
:aurie: Laurie's Song
Track length3:20
Top: Do you suppose they're makin' food
Track length4:11
Martin: We've been north
Track length2:13
Grandpa Moss: Halloo halloo
Track length1:29
Grandpa Moss: I need a couple of men
Track length5:58
The Promise of Living
Track length4:58
Act 2, Scene 1
Track length1:14
Grandpa Moss: Try makin' peace
Track length1:57
Laurie: Thank you. Thank you all
Track length3:08
Ma: We've been at this table long enough
Track length0:39
All: Stomp your foot upon the floor
Track length5:17
Martin: O there you are, Missus Moss
Track length4:48
Martin: The world seems still tonight
Track length0:54
Martin: Laurie…you know
Track length3:08
Laurie: In love? In love?
Track length4:20
Grandpa Moss: Hey! Bums!
Track length1:16
Mr. Splinters: I hurried right back
Track length3:01
Guests: Goodnight, goodnight
Track length2:33
Introduction, Act 3
Track length1:56
Martin: Laurie, Laurie
Track length7:11
Martin: Daybreak will come
Track length2:23
Martin: Laurie, I love you, I love you
Track length1:15
Top: That's crazy!
Track length4:38
Laurie: The sun is coming up
Track length2:23
Laurie: Martin, it's daybreak
Track length1:11
Laurie: No, I must leave now!
Track length1:22
Laurie: Perhaps I did love!
Track length3:15
Ma: All thinking's done
Track length4:38
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