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Counterpoint Premieres

Counterpoint Vocal Ensemble, Robert de Cormier

Counterpoint Premieres
[Counterpoint's] main gift to us here is the set of eight choruses Leonard Bernstein composed for a 1955 adaptation of Jean Anouilh's play The Lark...Bernstein clearly relished his encounter...

Counterpoint Premieres

Counterpoint Vocal Ensemble, Robert de Cormier

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
[Counterpoint's] main gift to us here is the set of eight choruses Leonard Bernstein composed for a 1955 adaptation of Jean Anouilh's play The Lark...Bernstein clearly relished his encounter...

About

A disc of first recordings, the Bernstein is presented in the original narrative context, while the Moyse is a 2002 Counterpoint commission. These two works are complimented with Castelnuovo-Tedesco’s spirit of flamenco and the jazzy swing idiom of the Levi. Founded by Robert De Cormier in 2000, Counterpoint is dedicated to performing choral chamber music of diverse cultures with an emphasis on rarely performed works, unique arrangements and the work of contemporary composers.

Contents and tracklist

Prelude
Track length2:00
Spring Song
Track length4:02
Court Song
Track length2:48
Benedictus
Track length1:30
Soldier's Song
Track length2:50
Sanctus
Track length1:16
Requiem
Track length1:46
Gloria
Track length1:30
Tally Ho
Track length2:10
Unpoem
Track length2:09
Bye, Bye Toots
Track length5:07
Muir Woods Cantata
Track length2:00
Baladilla De Los Tres Rios
Track length4:36
La Guitarra
Track length3:22
Puñal
Track length1:31
Processión
Track length7:01
Memento
Track length1:40
Baile
Track length2:06
Crótalo
Track length1:31

Awards and reviews

[Counterpoint's] main gift to us here is the set of eight choruses Leonard Bernstein composed for a 1955 adaptation of Jean Anouilh's play The Lark...Bernstein clearly relished his encounter with the medieval idiom, and the singers catch the joy he took in dialing up his counter-tenor, reveling in the syncopations of early music, and tipping his hat to Stravinsky whenever he got the chance

This disc is filled with a lazy, hazy charm, above which Bernstein's choruses soar. They are reason enough for an urgent recommendation
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