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Special offer. Lambert: Piano Concerto & other works

Ian Brown (piano), Philip Langridge (tenor), Nigel Hawthorne (narrator)

The Nash Ensemble, Lionel Friend

Superlative

Special offer. Lambert: Piano Concerto & other works

Ian Brown (piano), Philip Langridge (tenor), Nigel Hawthorne (narrator)

The Nash Ensemble, Lionel Friend

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Original price $12.75 Reduced price $6.37

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Superlative

About

A fascinating selection of pieces by one of the twentieth century’s most original and perplexing figures. Constant Lambert is perhaps better known today for his strident views on his contemporaries, but was also as a composer of delightful, anarchic music, influenced particularly by Stravinsky and Ravel. A distinguished line-up of performers presents these works in the clearest light. This recording is a must for anyone interested in twentieth-century music. Many of Lambert’s other works are also available on Hyperion.

Contents and tracklist

I. Overture (Allegro) – Cadenza – Andante espressivo – Doppio movimento – Coda (Allegro molto)
Track length8:44
II. Intermède (Andante recitando) – Allegro scherzando – Più mosso – Andante tranquillo – Allegro non troppo
Track length9:30
III. Finale: Lugubre
Track length10:08
I. A summer day
Track length1:42
II. Nocturne
Track length1:56
III. With a man of leisure
Track length0:59
IV. Lines written in autumn
Track length2:46
V. The ruin of the Ku-Su palace
Track length1:17
VI. The intruder
Track length1:00
VII. On the city street
Track length1:13
VIII. The long-departed lover
Track length2:51
I. Allegro molto marcato
Track length6:02
II. Nocturne: Andante – Presto e leggiero – Andante – Presto
Track length7:29
III. Finale: Lugubre – Presto
Track length8:16

Awards and reviews

Superlative

Classic CD

A fascinating and generous programme, superbly performed

A distinguished release on all counts … immaculate production values throughout… this wonderful anthology deserves the widest possible currency

26th August 2012

This reissue of recordings from 1994 affords a convenient distillation of Lambert’s genius...The Sonata and Concerto are wonderfully invigorating, inventive essays, tinged with a melancholy Lambert nicely evoked as “that four-in-the-morning feeling”. The Concerto stands with Falla’s harpsichord work among the great keyboard chamber concertos.

Make haste to this collection. It’s a cracker
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