Special offer. Le Paris des Romantiques
Recorded live on period instruments
Julien Chauvin (violin), Bertrand Chamayou (piano Erard 1837)
Le Cercle de l‘Harmonie, Jérémie Rhorer
Chamayou plays a magnificent-sounding 1837 Erard piano, in what is apparently the first period-instrument recording of the work. His performance has dash and devilment, the orchestral playing...
Special offer. Le Paris des Romantiques
Recorded live on period instruments
Julien Chauvin (violin), Bertrand Chamayou (piano Erard 1837)
Le Cercle de l‘Harmonie, Jérémie Rhorer
Purchase product
Chamayou plays a magnificent-sounding 1837 Erard piano, in what is apparently the first period-instrument recording of the work. His performance has dash and devilment, the orchestral playing...
About
This recording brings together three composers who knew each other and worked together in Paris in the first half of the 19th century: Liszt was a composer and pianist, as was Reber, who studied with Anton Reicha and devoted much of his career to chamber music. Berlioz came to fame in 1830 with the première of his Symphonie Fantastique, on which occasion he first met Liszt: the beginning of a strong friendship between the two composers. The works presented here offer a panorama of French musical tastes from the years 1830-1850. Two are world premiere recordings.
Contents and tracklist
- Cercle de l'Harmonie, Le
- Jérémie Rhorer
- Julien Chauvin (violin)
- Cercle de l'Harmonie, Le
- Jérémie Rhorer
- Bertrand Chamayou (piano)
- Cercle de l'Harmonie, Le
- Jérémie Rhorer
Awards and reviews
26th July 2012
Chamayou plays a magnificent-sounding 1837 Erard piano, in what is apparently the first period-instrument recording of the work. His performance has dash and devilment, the orchestral playing packs a punch, but the other works on the disc are even more intriguing.