Help
Skip to main content

Handel’s Memories

A Selection from Grand Concertos Op. 6

Eduardo López Banzo (conductor & harpsichord)

Al Ayre Español

Handel’s Memories
The opening [Concerto Grosso] No 1 in G major establishes the character of these interpretations by Eduardo López Banzo's ensemble Al Ayre Español: the perfectly poised gait of the opening movement,...

Handel’s Memories

A Selection from Grand Concertos Op. 6

Eduardo López Banzo (conductor & harpsichord)

Al Ayre Español

Purchase product

2 SACDs

Hybrid Multi-channel

$24.75

2 available: usually despatched in 3 - 4 working days

Download

From$9.00

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.00

320 kbps, MP3

$9.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
The opening [Concerto Grosso] No 1 in G major establishes the character of these interpretations by Eduardo López Banzo's ensemble Al Ayre Español: the perfectly poised gait of the opening movement,...

About

This double hybrid SACD set is the second recording by Al Ayre Español and its conductor Eduardo López Banzo for Challenge Classics, and features a selection of six of Handel’s Twelve Grand Concertos, opus 6, otherwise known as Concerti grossi. Last year their debut release for the label was a highly-regarded disc of sacred cantatas by José de Nebra.

The musical director Eduardo López Banzo was born in Zaragoza in 1961. In the operatic field he is considered to be one of the most important specialists as regards Handel’s music for theatre. Eduardo López Banzo founded Al Ayre Español in 1988, and was awarded the Spanish National Music Prize in 2004, thanks to more than twenty years of musicological rigueur and performance excellence.

Handel’s Concerti grossi, Op.6 or Twelve Grand Concertos, HWV 319-330 were first published in London by John Walsh in 1739. Taking the older concerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material, and are amongst the finest examples of the baroque concerto grosso.

Contents and tracklist

A tempo giusto
Track length1:51
i. Allegro
Track length1:40
Adagio
Track length5:40
ii. Allegro
Track length2:39
Allegro
Track length0:06
Allemande
Track length5:44
Grave - Andante allegro
Track length3:26
Adagio
Track length1:32
Siciliana
Track length4:01
Allegro
Track length1:14
Larghetto e affettuoso
Track length4:02
Allegro ma non troppo
Track length1:38
Musette: Larghetto
Track length6:03
i. Allegro
Track length2:50
ii. Allegro
Track length2:17
Ouverture
Track length4:13
Air
Track length4:44
i. Allegro
Track length2:57
ii. Allegro
Track length2:36
Allegro moderato
Track length2:07
[Ouverture]
Track length3:58
Presto
Track length2:07
Largo
Track length2:54
Allegro
Track length2:13
Menuet: Un poco larghetto
Track length3:25
Andante larghetto, e staccato
Track length5:31
i. Allegro
Track length1:42
Largo e staccato
Track length1:56
Andante
Track length4:48
Allegro
Track length5:08

Awards and reviews

14th July 2012

The opening [Concerto Grosso] No 1 in G major establishes the character of these interpretations by Eduardo López Banzo's ensemble Al Ayre Español: the perfectly poised gait of the opening movement, with bounteous viols offering a richly textured timbre
View download progress