Any performance must keep sight of the romantic, sometimes disturbing, core of the work. This is clearly understood in this performance from Juanjo Mena and the Bergen Philharmonic Orchestra...the essentials are there...[Osborne] brings authority to the piano cadenzas and poetry to the filigree passages, while the orchestra players are clearly having fun.

The virtue of this studio recording is, paradoxically, that it doesn’t get carried away. The balance of instrumental sound is exemplary, without compromising atmosphere or momentum, and there are virtuoso contributions from Steven Osborne in the easily overlooked piano part and from Cynthia Millar

A unity of vision between pianist and conductor helps make this Turangalila prevail where others are compromised...the concentrated meditative quality Mena and Osborne lend to the sixth movement rotates the symphony on its axis...No other conductor gets inside Messiaen's overlapping currents of cyclic time like Mena.

Mena has a tremendous grip on the score and a real sense of its epic sweep. That sense of sweep, however, is not at the expense of attention to detail; Mena clearly has every aspect of this score at his fingertips...the playing of the Bergen Philharmonic is first class.

Osborne copes faultlessly here, negotiating the bustle of the more intense movements with precision and smooth power, while the more reflective passages such as the "Jardin du Sommeil d'amour" are treated with fluid grace and understanding.

Mena doesn’t attempt to tone down the vulgarity or smooth the out the textures. He’s impetuous, excitable, the Bergen players managing to keep up with his swift tempi. There’s plenty of muscle on display, but the softer episodes are gorgeous...Osborne’s handling of the fiendish piano solo is effortless...Unmissable – this is already among the most uplifting discs you’ll hear all year.