Essential Gilbert & Sullivan
Artists include George Baker, Owen Brannigan, John Cameron, Richard Lewis, Monica Sinclair, Marjorie Thomas, Elsie Morison, Heather Harper, April Cantelo, Pamela Bowden, Sir Geraint Evans, Jeanette Sinclair, Alexander Young, Edna Graham, John Shaw, Joseph Roleau
Essential Gilbert & Sullivan
Artists include George Baker, Owen Brannigan, John Cameron, Richard Lewis, Monica Sinclair, Marjorie Thomas, Elsie Morison, Heather Harper, April Cantelo, Pamela Bowden, Sir Geraint Evans, Jeanette Sinclair, Alexander Young, Edna Graham, John Shaw, Joseph Roleau
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Contents and tracklist
- Richard Lewis/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Peter Gellhorn (director), Richard Lewis (tenor), Sir Geraint Evans/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Geraint Evans (baritone), Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), Jeannette Sinclair (soprano), Marjorie Thomas (contralto)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), Geraint Evans (baritone), Richard Lewis (tenor), Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Owen Brannigan (bass), Peter Gellhorn (director), Sir Geraint Evans/Marjorie Thomas/Ian Wallace/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Ian Wallace (baritone), Marjorie Thomas (contralto), Monica Sinclair (contralto), Jeannette Sinclair (soprano), John Cameron (baritone)
- Pro Arte Orchestra, Glyndebourne Festival Chorus
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
The flowers that bloom in the spring (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
Track length1:50
Sullivan, A:
Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)
Work length3:24
- Bernard Turgeon (baritone), Elsie Morison (soprano), George Baker (bass-baritone), John Cameron (baritone), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1960-12-30
- Recording Venue: 28-30 December 1960, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), James Milligan (Bass-Bariton) (bass), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), John Cameron (bass-baritone), George Baker (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
- Recorded: 1958-04-18
- Recording Venue: 15-18 April 1958, No. 1 Studio, Abbey Road, London
Sullivan, A:
HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)
Work length2:51
- Elsie Morison (soprano), George Baker (bass-baritone), James Milligan (Bass-Bariton) (bass), John Cameron (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1958-04-18
- Recording Venue: 15-18 April 1958, No. 1 Studio, Abbey Road, London
- James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan (baritone), Peter Gellhorn (director), Richard Lewis/Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), Richard Lewis (tenor), Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, George Baker/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, George Baker (baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1960-01-02
- Recording Venue: 30 December 1959 to 2 January 1960, No. 1 Studio, Abbey Road, London
- Elsie Morison (soprano), Heather Harper (soprano), Owen Brannigan (bass), Peter Gellhorn (director), Richard Lewis (tenor), Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, John Cameron (baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1960-01-02
- Recording Venue: 30 December 1959 to 2 January 1960, No. 1 Studio, Abbey Road, London
When the foeman bears his steel (Sergeant of Police, Policemen, Mabel, Edith, Girls, Major-General) (1987 Digital Remaster)
Track length4:51
- Alexander Young (tenor), Elizabeth Harwood (soprano), Elsie Morison (soprano), Heather Harper (soprano), John Cameron (baritone), John Shaw (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Peter Gellhorn (choir director), Trevor Anthony (bass), George Baker (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1961-10-20
- Recording Venue: 12-20 October 1961, No. 1 Studio, Abbey Road, London
- Alexander Young (tenor), Elizabeth Harwood (soprano), Elsie Morison (soprano), Heather Harper (soprano), Marjorie Thomas (alto), Monica Sinclair (alto), Peter Gellhorn (choir director), Trevor Anthony (bass), John Cameron (bass-baritone), George Baker (bass-baritone), John Shaw (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
- Recorded: 1961-10-20
- Recording Venue: 12-20 October 1961, No. 1 Studio, Abbey Road, London
Sullivan, A:
Iolanthe (or, The Peer and the Peri) (1987 - Remaster), Act I: When I went to the Bar as a very young man (Lord Chancellor)
Work length2:01
- Alexander Young (tenor), April Cantelo (soprano), Elsie Morison (soprano), George Baker (bass-baritone), Heather Harper (soprano), Ian Wallace (bass), John Cameron (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1958-10-24
- Recording Venue: 18 April (Overture) and 21-24 Oct 1958, No. 1 Studio, Abbey Road, London
Sullivan, A:
Iolanthe (or, The Peer and the Peri) - Finale Act 1 (The lady of my love....)
Work length10:26
This work is only available as an album download.
- Sir Malcolm Sargent (lead vocals)
- Pro Arte Orchestra
- Recorded: 1987-12-31
- Recording Venue: April & October 1958/Abbey Road
- Alexander Young (tenor), April Cantelo (soprano), Elsie Morison (soprano), Heather Harper (soprano), John Cameron (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Ian Wallace (bass-baritone), George Baker (bass-baritone)
- Glyndebourne Festival Chorus, Pro Arte Orchestra, Glyndebourne Chorus, Peter Gellhorn
- Sir Malcolm Sargent
- Recorded: 1958-10-24
- Recording Venue: 18 April (Overture) and 21-24 Oct 1958, No. 1 Studio, Abbey Road, London
Sullivan, A:
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: In sailing o'er life's ocean wide (Rose, Richard, Robin)
Work length1:50
- Elizabeth Harwood (soprano), Elsie Morison (soprano), George Baker (bass-baritone), Harold Blackburn (bass), Joseph Rouleau (bass), Monica Sinclair (alto), Owen Brannigan (bass), Pamela Bowden (alto), Peter Gellhorn (choir director), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1962-12-14
- Recording Venue: 3 November 1960 (Overture) and 11-14 December 1962, No. 1 Studio, Abbey Road, London
- Elizabeth Harwood (soprano), Elsie Morison (soprano), Harold Blackburn (bass), Joseph Rouleau (bass), Monica Sinclair (alto), Owen Brannigan (bass), Pamela Bowden (alto), Peter Gellhorn (choir director), Richard Lewis (tenor), George Baker (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1962-12-14
- Recording Venue: 3 November 1960 (Overture) and 11-14 December 1962, No. 1 Studio, Abbey Road, London
- Alexander Young (tenor), Edna Graham (soprano), Monica Sinclair (contralto), Geraint Evans (baritone), Elsie Morison (soprano), Helen Watts (alto), James Milligan (Bass-Bariton) (bass), John Cameron (baritone), Lavinia Renton (soprano), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (tenor), Stella Hitchens (soprano)
- Pro Arte Orchestra, Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn
- Sir Malcolm Sargent
- Recorded: 1957-03-15
- Recording Venue: 11-15 March 1957, No. 1 Studio, Abbey Road, London
Sullivan, A:
The Gondoliers (or, The King of Barataria), Act II: Take a pair of sparkling eyes (Marco)
Work length3:16
- Richard Lewis (tenor), Alexander Young (tenor), Edna Graham (soprano), Elsie Morison (soprano), Helen Watts (contralto), James Milligan (bass-baritone), John Cameron (baritone), Lavinia Renton (soprano), Marjorie Thomas (contralto), Monica Sinclair (contralto), Owen Brannigan (bass), Peter Gellhorn (director), Geraint Evans (tenor), Stella Hitchens (soprano)
- Pro Arte Orchestra, Glyndebourne Festival Chorus
- Sir Malcolm Sargent
- Recorded: 1957-03-15
- Recording Venue: 11-15 March 1957, No. 1 Studio, Abbey Road, London
- Alexander Young (tenor), Edna Graham (soprano), Elsie Morison (soprano), Helen Watts (alto), James Milligan (Bass-Bariton) (bass), Lavinia Renton (soprano), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (tenor), Stella Hitchens (soprano), John Cameron (bass-baritone), Geraint Evans (bass-baritone)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-03-15
- Recording Venue: 11-15 March 1957, No. 1 Studio, Abbey Road, London
Sullivan, A:
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act I
Work length5:32
- Alexander Young (tenor), Denis Dowling (baritone), Doreen Hume (soprano), Elsie Morison (soprano), John Cameron (baritone), John Carol Case (baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (bass-baritone), Geraint Evans (tenor)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-12-14
- Recording Venue: 10-14 December 1957, No. 1 Studio, Abbey Road, London
Sullivan, A:
The Yeomen of the Guard (or, The Merryman and his Maid) (1987 - Remaster), Act II: Comes the pretty young bride (All)
Work length10:15
This work is only available as an album download.
- Alexander Young (tenor), Denis Dowling (bass-baritone), Doreen Hume (soprano), Elsie Morison (soprano), John Cameron (bass-baritone), John Carol Case (bass-baritone), Marjorie Thomas (alto), Monica Sinclair (alto), Owen Brannigan (bass), Peter Gellhorn (choir director), Richard Lewis (tenor), Geraint Evans (bass-baritone), Geraint Evans (tenor)
- Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1957-12-14
- Recording Venue: 10-14 December 1957, No. 1 Studio, Abbey Road, London