Help
Skip to main content

Beethoven: Piano Sonatas

(excluding Nos. 19 and 20 - Op. 49)

HJ Lim (piano)

Beethoven: Piano Sonatas
When her idiosyncratic pianism is consumed in bulk, one seems method in her madness, as with Glenn Gould's. As the finale of her Hammerklavier attests, Lim is blessed - and cursed - with amazing...

Beethoven: Piano Sonatas

(excluding Nos. 19 and 20 - Op. 49)

HJ Lim (piano)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
When her idiosyncratic pianism is consumed in bulk, one seems method in her madness, as with Glenn Gould's. As the finale of her Hammerklavier attests, Lim is blessed - and cursed - with amazing...

About

Recording and performing the complete cycle of Beethoven Piano Sonatas has long been the reserve for the Grand Master or Mistress, a reward for expert hands, following long and storied careers. Here, in a bold and controversial new recording project, the 24 year-old HJ Lim will prove that she is ready now. Lim, who has already performed the sonatas in critically acclaimed 8-day concert series in France, Germany and Japan, will release the complete sonatas in a deluxe, 8-CD slipcased edition.

“I view these sonatas by Beethoven as the most intense diary, in which genius expresses, or even illustrates, all the facets of a life that is sometimes sublimated, and idealized, and often deeply moving by its realism.

To perform Beethoven's sonatas is not just to interpret music, but is also an attempt to understand the multi-faceted psychology of a human being. It is, in any case, an attempt to bring to light one's own truth. If Beethoven's music can help us understand the human being that he was, so can entering Beethoven's life help us understand his music.”

“All these reflections would not be valid without a source coming from Beethoven himself or from one of his close contemporaries, the many accounts from his close relations that we have, also the letters and personal notes are therefore very important. It does indeed help us place ourselves within the composer's lifetime and cancel as much as possible of the distance that separates us from him. As Beethoven's music is profoundly human, we can today still understand it with our hearts. And yet there is a crucial element that as an interpreter we must urgently work on, which is to "re-actualize" the impact and shock that this music could create at the time. Each sonata should be conveyed with all the freshness and innovatory inspiration it could produce in the eyes of Beethoven's contemporaries. This is the difficult role and heavy responsibility of the interpreter.

All composers need the indispensable assistance of interpreters in order to survive and communicate their ideas to a larger number, and for that their "divinity" could be transmitted to the public. However, I feel that I, as interpreter, I am not only serving the composer, but I am using myself in my turn, composers as my intermediary, as the interpreters of the divinity, to get myself closer to the Muse.” HJ Lim

NB Lim has chosen to omit the two small Op. 49 sonatas on the grounds that Beethoven didn't intend them for publication

Contents and tracklist

I. Allegro
Track length10:24
This track is only available as an album download.
II. Scherzo: Assai vivace
Track length2:43
III. Adagio sostenuto, appassionato e con molto sentimento
Track length12:50
This track is only available as an album download.
IV. Largo - Allegro risoluto
Track length11:23
This track is only available as an album download.
I. Allegro con brio
Track length6:59
II. Adagio con molta espressione
Track length6:13
III. Menuetto
Track length2:54
III. Rondo Allegretto
Track length5:21
I. Das Lebewohl (Les Adieux). Adagio - Allegro
Track length6:15
II. Abwesenheit (L'absence). Andante espressivo
Track length2:58
III. Das Wiedersehen (Le Retour). Vivacissimamente
Track length5:19
I. Allegro molto e con brio
Track length7:39
II. Largo, con gran espressione
Track length5:55
III. Allegro
Track length4:43
IV. Rondo: poco allegretto e grazioso
Track length6:02
I. Allegro
Track length5:37
II. Allegretto
Track length3:13
III. Rondo: Allegro comodo
Track length3:08
I. Allegro
Track length6:27
II. Andante
Track length4:03
III. Scherzo: Allegro assai
Track length3:24
I. Andante - Allegro - Tempo I
Track length4:35
II. Allegro molto e vivace
Track length1:46
III. Adagio con espressione
Track length2:06
IV. Allegro vivace - Presto
Track length4:46
II. Allegretto
Track length2:11
III. Presto agitato
Track length7:15
I. Allegro
Track length3:40
II. Adagio
Track length4:25
III. Menuetto: Allegretto - Trio
Track length2:51
IV. Prestissimo
Track length4:42
I. Allegro vivace
Track length6:17
II. Largo appassionato
Track length4:39
III. Scherzo: Allegretto - Trio
Track length2:54
IV. Rondo: Grazioso
Track length5:49
I. Allegro con brio
Track length9:44
II. Adagio
Track length5:42
III. Scherzo: Allegro - Trio
Track length2:58
IV. Allegro assai
Track length5:09
I. Allegro
Track length10:02
This track is only available as an album download.
II. Andante
Track length5:23
III. Scherzo: Allegro vivace - Trio
Track length2:18
IV. Rondo: Allegro, ma non troppo
Track length4:25
I. Allegro con brio
Track length9:58
II. Introduzione: Adagio molto
Track length3:13
I. In tempo d'un menuetto
Track length4:48
II. Allegretto
Track length4:59
I. Presto alla tedesca
Track length4:17
II. Andante
Track length1:39
III. Vivace
Track length1:51
I. Allegro molto e con brio
Track length5:26
II. Adagio molto
Track length6:17
III. Finale: Prestissimo
Track length4:18
I. Allegro
Track length5:29
II. Allegretto
Track length3:56
III. Presto
Track length2:15
I. Presto
Track length6:48
II. Largo e mesto
Track length8:19
III. Menuetto: Allegro - Trio
Track length2:35
IV. Rondo: Allegro
Track length4:17
I. Allegro vivace
Track length5:57
II. Adagio grazioso
Track length8:23
III. Rondo: Allegretto
Track length5:54
I. Largo - Allegro
Track length8:32
II. Adagio
Track length5:57
III. Allegretto
Track length6:01
I. Allegro
Track length7:54
II. Scherzo: Allegretto vivace
Track length4:21
III. Menuetto: Moderato e grazioso - Trio
Track length3:39
IV. Presto con fuoco
Track length4:27
I. Etwas lebhaft und mit der innigsten Empfindung
Track length3:48
II. Lebhaft, marschmäßig
Track length5:26
III. Langsam und sehnsuchtsvoll
Track length2:10
IV. Presto - Geschwinde, doch nicht zu sehr und mit Entschlossenheit
Track length7:15
I. Adagio cantabile - Allegro ma non troppo
Track length6:21
II. Allegro vivace
Track length2:41
I. Adagio cantabile - Allegro ma non troppo
Track length5:18
II. Allegro vivace
Track length6:25
I. Vivace, ma non troppo - Adagio espressivo
Track length3:18
II. Prestissimo
Track length2:22
III. Gesangvoll, mit innigster Empfindung
Track length10:54
This track is only available as an album download.
I. Moderato cantabile, molto espressivo
Track length5:59
II. Allegro molto
Track length1:59
III. Adagio, ma non troppo - Fuga: Allegro, ma non troppo
Track length8:34
I. Grave - Allegro di molto e con brio
Track length8:14
II. Adagio cantabile
Track length4:28
III. Rondo: Allegro
Track length4:26
I. Andante con variazioni
Track length6:16
II. Scherzo: Allegro molto - Trio
Track length2:26
III. Marcia funebre sulla morte d'un Eroe
Track length5:39
IV. Allegro
Track length2:30
I. Allegro assai
Track length9:30
II. Andante con moto
Track length5:31
III. Allegro, ma non troppo - Presto
Track length7:34
I. Maestoso - Allegro con brio ed appassionato
Track length8:42
II. Arietta: Adagio molto, semplice e cantabile
Track length14:33
This track is only available as an album download.

Spotlight on this release

Awards and reviews

September 2012

When her idiosyncratic pianism is consumed in bulk, one seems method in her madness, as with Glenn Gould's. As the finale of her Hammerklavier attests, Lim is blessed - and cursed - with amazing technical dexterity; the fact that this movement is near-flawless is offset by the way the music coalesces into a frantic blur at moments of peak intensity...In her opening Allegros she possesses the touch of a true Beethovenian.

September 2012

[Lim] takes chances, and the vibrant yet quirky characteristics in her playing I observed in my review of Vol. 1 continue to rampage throughout the remaining works...Lim's liberties convince the most when they intensify the music's inherent character...In sum, even at her most wrong-headed, Lim's strong personality and obvious Beethovenian affinity bode well for her mature remarks 20 years from now.

July 2012

[The Hammerklavier] stands as a representative of Lim’s strengths...Without picking over every sonata, I would say that you can find great enjoyment with HJ Lim, but even with gruff Beethovenian directness, tremendous verve and some remarkably expressive moments and passages, this is not a set which will dislodge the great names

25th May 2012

Her romantic approach, full of impulsive accelerations, would be perfect for Liszt, and might please listeners in search of a Beethoven pushed further into the 19th century than history made possible.
View download progress