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Special offer. Monteverdi: Missa In Illo Tempore

Odhecaton, Paolo Da Col (direction)

Odhecaton is an all-male choir with countertenor on the top line...These are consistently eloquent performances; the sound has an appealingly direct roughness...These are fine performances in...

Special offer. Monteverdi: Missa In Illo Tempore

Odhecaton, Paolo Da Col (direction)

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($18.25) Reduced price $12.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

Original price ($9.25) Reduced price $6.50

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Odhecaton is an all-male choir with countertenor on the top line...These are consistently eloquent performances; the sound has an appealingly direct roughness...These are fine performances in...

About

Of all Monteverdi’s works, the Missa in illo tempore marks the most important link between the composer and the Franco-Flemish polyphonic tradition. It is here presented alongside motets by Giaches de Wert, maestro di cappella at the Mantuan court at the time when the young Monteverdi was engaged there as a violinist.

Also included here are world premiere recordings of three recently-discovered Marian motets by Monteverdi that were recorded in the splendid acoustic of the Basilica di Santa Barbara in Mantua.

Contents and tracklist

I. Kyrie
Track length3:52
II. Gloria
Track length5:59
Salve Regina [II], a 3
Track length3:59
III. Credo
Track length10:19
Salve Regina [III], a 3
Track length4:23
IV. Sanctus
Track length3:41
V. Agnus Dei, a 6 e 7
Track length5:15
Regina Caeli, a 3
Track length3:29

Spotlight on this release

Awards and reviews

June 2012

Odhecaton is an all-male choir with countertenor on the top line...These are consistently eloquent performances; the sound has an appealingly direct roughness...These are fine performances in a rich tonal palette, from a group worth following.

July 2012

The choir give strong, well shaped performances and are quite naturally placed within the Santa Barbara acoustic. It has to be admitted that one of the counter-tenors does have a rather prominent voice, but given the disc’s other charms this is something that I can live with.
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