Help
Skip to main content

Hamilton Harty: String Quartets & Piano Quintet

with Piers Lane (piano)

Goldner String Quartet

Hamilton Harty: String Quartets & Piano Quintet

Awards:

The Goldner String Quartet, joined in the Quintet by fellow Australian Piers Lane, display just the right warmth and spirit to suit this attractive music, much of it written con brio. Jeremy...

Hamilton Harty: String Quartets & Piano Quintet

with Piers Lane (piano)

Goldner String Quartet

Purchase product

2 CDs

$17.75

In stock - only 29 left: usually despatched within 1 working day

Download

From$16.75

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$29.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.00

320 kbps, MP3

$16.75

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

The Goldner String Quartet, joined in the Quintet by fellow Australian Piers Lane, display just the right warmth and spirit to suit this attractive music, much of it written con brio. Jeremy...

About

Acclaimed pianist Piers Lane and his fellow Australians, the Goldner String Quartet, reprise their highly successful partnership in these world-premiere recordings of the two String Quartets and Piano Quintet of Irish composer Hamilton Harty. Born in County Down, Harty (1879–1941) was a remarkable, self-taught musician who wrote in a lyrical Romantic idiom, as evidenced in these appealing works, while incorporating a modal astringency and folk-music charm that are reminiscent of Percy Grainger. In particular, the winding, pentatonic melody of the Lento of the Piano Quintet—a lusciously big-boned work worthy of Tchaikovsky—and the delightful 9/8 ‘hop jig’ of the first movement of String Quartet No 2 seem like settings of folk-melodies that have echoed for centuries around the green hills of Ireland. Intriguingly, however, they are entirely Harty’s own invention.

This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.

Contents and tracklist

I. Allegro
Track length10:21
II. Vivace
Track length4:06
III. Lento
Track length9:30
IV. Allegro con brio
Track length8:42
I. Allegro ma non troppo
Track length7:23
II. Vivace sempre leggiero
Track length5:44
III. Lento
Track length7:03
IV. Allegro con brio – Molto vivace
Track length6:11
I. Allegro con brio
Track length8:31
II. Vivace
Track length2:52
III. Andante pastorale
Track length6:39
IV. Allegro vivace
Track length5:37

Spotlight on this release

  • Hamilton Harty’s Chamber Music

    30th Apr 2012by Chris O'Reilly

    The Goldner String Quartet and Piers Lane bring out all the charm and flamboyance of the Irish composer’s two string quartets and piano quintet, dating from the early 1900s and composed shortly after Harty relocated to London.

Awards and reviews

  • Presto Recording of the Week
    30th April 2012

July 2012

The Goldner String Quartet, joined in the Quintet by fellow Australian Piers Lane, display just the right warmth and spirit to suit this attractive music, much of it written con brio. Jeremy Dibble's notes are rather dry, but Hyperion's succulent recording is a peach.

July 2012

Piers Lane plays immaculately with great sympathy; and though the Goldner Quartet are not the richest-toned group, they too play warmly to bring out the finest qualities of the music. Altogether a delightful disc of music neglected for far too long.

30th April 2012

the sound is rich and colourful and the balance between the piano and strings is just right...Lane plays superbly and has an impressive ability to switch often quite suddenly between bold statements, rippling accompaniments, and sudden flashy outbursts. They all play with complete musical conviction and all these works (but particularly the Piano Quintet) warrant repeated listening.

26th April 2012

The quartets are fluent if unremarkable works...but the piano quintet is much more impressive. It's a real discovery: a big, bold statement full of striking melodic ideas and intriguing harmonic shifts...Lane strikes a nice balance between assertiveness and delicacy in the piano writing, with the Goldner's refinement and beauty of tone providing the perfect foil; their accounts of Op 1 and Op 4 are equally poised and immaculate.
View download progress